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A Study On Integration And Development Of Contemporary Chinese Folk Singing From The Perspective Of Guo Lanying And Peng Liyuan’s Performance

Posted on:2015-08-26Degree:MasterType:Thesis
Country:ChinaCandidate:X J YinFull Text:PDF
GTID:2285330422476168Subject:Art
Abstract/Summary:PDF Full Text Request
In the course of more than60years of evolution, contemporaryChinese folk style singing has promoted by integration and integratedduring the constant development. With Guo Lanying as the representativein the fifties and sixties of the20th century, folk style singing based onTraditional opera singing, comes into being by combining the style offolk songs. And with Peng Liyuan as since we followed the policy ofreform and opening, folk style singing has made a great change, whichput its development on a more professional and more scientific track, bythe blending of traditional style and the western scientific vocal method.Throughout the evolutionary history of contemporary Chinese folk stylesinging, integration and development has always been its constant theme.Its development is not a process of replacement, but the process ofinheritance,integration and improvement.As long as it is to meet the requirements of the society, the nationand the times and be accordance with the the mass aesthetic trend, it isscientific and true no matter how folk style singing develops. Althoughthere has been much increasingly heated discussion on folk stylesinging,the author being as a national vocal music scholar argue thatdevelopment of contemporary Chinese folk style singing requires a adiverse model. If every national vocal music workers can study like theway in which those artists with great achievements put the learned knowledge into their natural and appropriate singing with heart and lovethrough breaking away from slavishly copy, more new elements willemerge from Chinese folk style singing and the phenomenon offeatureless sameness will be no longer in existence.Chinese folk style singing is being developed gradually,but its souland fundament is not going to be changed.Folk style singing, a musicconcept, comes from inner accumulation in its long history ofdevelopment.Only if solid professional technical literacy,sincere singingemotion and ethical spirit of the new age are rooted in their mind can thefolk style singers make new exploration and innovation in the face ofall the integration and changes.
Keywords/Search Tags:Chinese folk singing, Guo Lanying, Peng Liyuan, Integration and Develop
PDF Full Text Request
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