The Evolution From The Ride As Bodhisattva Images And Statues Lattice Buddhist Art Chinese Process

Buddhism enriches the connotation of Chinese religion, philosophy and thought, alsomakes our country culture become more colorful. At the same time, the buddhist art initiallywith Buddhism from India to, after the han dynasty germination period, development periodof the northern and southern dynasties, sui and tang dynasties boom, mutual penetration andChinese traditional culture, influence each other. This cultural blend not only has greatsignificance to the development of Chinese intellectual history, but also to the developmentof Chinese art and sculpture art plays a great role in promoting.This article attempts through to the discussion on the following points, whichdemonstrates the process of sinicization of Buddhism art. First, tire spirit is one of theimportant content of Buddha and dreams, in ancient India, gandhara and buddhist art inChina, a large number of describing the content of the works. In the early buddhist art, tirespirit dream content are depicted as the Buddha Buddha bodhisattva incarnation into a whiteelephant from the pocket of the former rate day fall into the tyres. After Buddhism wasintroduced into China, a bodhisattva incarnation into a white elephant to bodhisattva ridingelephants into the tyres.Second, when the northern wei dynasty by like the tyres and the sugar prince midnightride more than city image configuration, cave temples and monuments, statues, statues toweris the theme of the image. Especially in the dunhuang grottoes grottoes on both sides of themain chamber to Buddha preach sketch map, in the form of the earliest appeared in theconstruction of the northern wei caves, then appeared in the sui dynasty, tang dynasty.Third, northern dynasties by like image, the bodhisattva samantabhadra riding a whiteelephant image also has emerged. Though, fixed image and samantabhadra configuration inthe early days of the buddhist art in India and disappeared, and in the Chinese buddhist art,in addition to the primacy of a single performance of samantabhadra bodhisattva as,according to the avatamsaka sutra "fahua sutra, and manjusri bodhisattva samantabhadrabodhisattva statues are often presented is the subject that appears at the same time. This setof images, especially in dunhuang grottoes murals carved painting is more, are drawn in thegrottoes and caves on both sides of other position.Fourth, from the north to the tang dynasty in dunhuang grottoes when drawing in recess on either side of the image you can see, in the period of the tang dynasty found in main roomon either side of the main recess by like the plot of the tire and the city of more thanbecoming a monk, is invisible to the tang dynasty period, be like samantabhadra and riding alion manjusri replaced in the form of a symmetrical image. In the middle and late tangdynasty, like samantabhadra and riding a lion manjusri configuration image seems to havebecome a pattern, not only in the main room on both sides of the main shrine, main roomwat top four (or the place such as the east wall on both sides of the door has a performance,also appears in large huayan sutra JingBian variable painting, China painting, containsprofound buddhist philosophical connotations.The above problems after the demonstration analysis, the author explores the multiplylike bodhisattva image configuration and its surrounding the statue of the change of latticereasons: one, the cultural differences between China and India. Second, the traditionalthought of the han nationality consciousness. Three,"symmetry" form used in buddhist art.Four, the north pass the Chinese translation of the Chinese traditional thoughts influence thechange of the classics. Five, from the Chinese buddhist texts, animal image in multiply likethe plot of the tire and the city of more than becoming a monk in has an important position,is the decisive factor in the development of the story. Six, most Chinese Buddha preach storyimage to Buddha core "eight other way" is given priority to, and take into the tire and thecity of more than becoming a monk in the top eight fairly. Seven, take as the tire with thecity of more than becoming a monk in the story are included in the "initial" meaning. Eight,take into the tire and the city of more than becoming a monk configuration image reflectedthe concept of ancient Chinese emperors. Nine, classic Chinese mahayana on behalf of theavatamsaka sutra and method of sutra to multiply like samantabhadra and riding a lionmanjusri symmetrical image. Ten, white elephant and the lions image configuration iscommon in buddhist art in China.Above all, by surrounding the bodhisattva image of different configuration, affect itsstatue of lattice orientation and change. This article attempts to take like the images of thebodhisattva and the Buddha’s change as the clue, on the basis of buddhist texts, citednumerous buddhist art image, the period of the monuments, statues, statues tower north ofnorthern wei dynasty to the tang dynasty and the dunhuang grottoes murals for media, demonstrates the process of the development of buddhist art in China, combined withChinese Confucianism, Taoism and other traditional thought, the buddhist doctrine intoChinese buddhist images, is given to illustrate the concept and requirement of the history ofart history of changes, in order to reveal the process of the sinicization of Buddhism art.