The Research Of Wizard Culture In Ming Popular Fiction

The witch culture is primitive ancestors in ancient times as a natural adaptationof the original culture, it is ancient times, our ancestors worshiped in awe of thenatural product of early humans “animism” ideas and “collective unconscious"manifestation. Wu is also a historical and cultural development of early humanhistory; it is early human spiritual food. Not only reflects the living conditions andmental condition of the original ancestors, worldwide, which culture is on laterscience, medicine, religion, literature, art, folk beliefs have a profound impact.Chinese local culture witch Paul Vientiane, include worship, and speaks, witchdoctor with divination, fortune Shangzhi, under the geographical concept of feng shui.Five of these applications witch culture gossip, the yin-yang theory of traditionalChinese culture manifested in the philosophical thinking and influenced later Taoistthought of Laozi and Confucius,“Wisdom and Faith " and a special romanticChinese literature. The witch culture is the source of part of the Chinese culture,which is also an important part of a diversified greatly enriched the content ofChinese culture, expanding the creative space of literature and art, philosophyinfluenced the way of thinking of the Chinese culture, promote Chinese culturalgrowth. Witch cultural phenomenon in ancient Chinese novels are more expressive,such as “Shan Hai Jing”,"Huainan,"“Songs of the Chu" and the Six Dynastieslot of mystery novels, until the Qing Dynasty "LiaoZhaiZhiYi." There has been a lotof witch cultural phenomenon in ancient Chinese novels. It is not only a profoundimpact on the way the creative writer and creative themes, but also a profound impacton the lives of ordinary people. In the Ming Dynasty, witchcraft has become a part ofthe lives of ordinary people. On behalf of the Ming popular short story "SanYan"and “ErPai" in a large number of similar episodes come use, it is a noteworthyphenomen"SanYan" and " ErPai" is the highest representative of the Ming Dynasty,then proposed the novel, his novel class citizen as an object, vivid reaction of thepublic sectors of the living conditions. Through the "SanYan" witch culturalphenomenon "ErPai" in the analysis of the Ming Dynasty to explore the state ofmind of the public sectors have great significance."SanYan" and " ErPai" a lot of people’s lives in the late Ming commoditydescription of research for future economic development provides a wealth of subject matter. Scholars inking a lot in this regard, but as a representative of the people bornto describe mainly folk literature, more people should be concerned about the state ofmind of the Ming Dynasty mental state and the public. Due to the harsh rule of theMing ruling class, the people living in dire straits Ming Dynasty, and the prevalenceof witchcraft superstition. In “SanYan" and " ErPai " There are a lot of ghosts,Spirit, asserting addition of sorcery and witchcraft predictability, religious fairyelements of these phenomena implied national psychology of language and culturalpsychology, as well as in the seeds of capitalism under various forms of ordinarypeople thinking there is a wealth of research value.The first chapter of this thesis is to sort out the main contents of differentmeanings," Wu culture" of the three, and the relationship between the three"witchcraft"," witches" and analyze the status of witchcraft exists in the MingDynasty. The second chapter is mainly based on statistical text novels witch cultureexisting data, classification, induction, and Analysis of the psychological importanceof the Ming class citizens witch culture.The third chapter,“SanYan ",“ErPai" narratological perspective, analyze theimpact of the works of Wu culture narrative structure, narrative character, narrativecontent. The fourth chapter is the Status of the works witch culture, and therelationship between culture and traditional Malay culture.