Analysis Of Schubert’s Impromptus(OP.142) Creation And Performance Skills

In the late18th and early19th century, romantic composer Schubert not only inthe field of vocal music for the world left a large number of immortal classics, madeirreplaceable contribution in the field of instrumental music also. His pianoopusculum, delicate and elegant, lyrical and moving, not only inherits the classicalstyle, also as the pioneer of the romantic piano music. Especially the aestheticsinging, lyricism and informality etc, on the later of the romantic music creation hasa far-reaching influence, in the history of the development of piano music more has apivotal position.This article mainly to Schubert impromptus142four works as the researchobject, by using the literature refer to and theoretical analysis as the main researchmethods, by the theme tune, melody structure, harmonic color, modal analysis of thekey areas in the form of music features, further elaborated Schubert romanticemotional characteristics embodied in the works.In addition, combined with their own playing experience, emphatically from theperceptual and the rational analysis impromptu performance, from the vitality ofrhythm, timbre and dynamics, melody style and voice level and pedal grace noteinductive play points, to the basis of forefathers’ research focuses on their own innerfeeling and playing experience, for their own learning to do in-depth summary ofcharacteristics and further excavation works, in order to more dialectical completeview of the Schubert and his piano music, also may help the music students and theirfuture learning reference and experience accumulation.