From Fantasy To Reality: The Aesthetic Evolution Of German Romantic Performance Object

German Romanticism is a school of art in world literature which has profoundinfluence from past to now. It is the last idealism art genre after the Sturm und Drang andClassicism. Romanticism as a cultural movement from the end of the eighteenth Centuryand nineteenth Century before the leaves has a very profound cultural background whichincludes philosophy, art and religion. Immanuel Kant Johann Gottlieb Ficht andFriedrich Wilhelm Joseph von Schellings’ Philosophical idealism is GermanRomanticism’s philosophy theoretical basis. August Wilhelm von Schlegel, Friedrichvon Schlegel, Novalis, Ludwig Tieck and E.T.A.Hoffmanns’ works and theories areRomanticism’s main parts. They are all form distinctive and brilliant GermanRomanticism aesthetic. Furthermore，the development of German Romanticism aestheticmakes a firm foundation for modern western Aesthetics. This article attempts to discussthe art requests of German Romantic literature firstly, and then, summarize its theoreticalcore and its development track of Romantic performance object. At the same time, thearticle arranges the studies’ situations of the Romanticism Literature in the world and itsinfluence for the world literature. For these, we can find the article’s breakthrough andsignificance. Secondly, the article analyses the Evolution of German Romanticperformance object through detailed works. Followed the law of aesthetic evolution, itexplores the Romantic performance objects’ development which are from fantasy toreality. Because of a vertical relation between each Romanticism Literary theme, it has adeep aesthetic meaning. Through the analysis of the aesthetic evolution of GermanRomantic performance object, the article’s conclusion is that all the Romanticperformance objects are originated in people’s heart and real life experience. So GermanRomanticism Literature is not negative and passive literature. It is full of strong energyand life which can encourage people to face the life’s sadness and gladness. It leadspeople to seek the significance of living. The reality of German Romantic performanceobject expresses heart and spirits’ reality and this make a strong basis and good influence for Modernism literature. For the method of studying, this article accordingcharacteristics of German Romantic performance object’s development discusses andanalyses its aesthetic meaning from art, religion, darkness, death, and fantasy. All in all,the article focuses on the performance object, studies the aesthetic evolution of GermanRomanticism gradually. For these, we can find the process of German Romanticismaesthetic evolution. It contributes to the studies of German Romanticism developmentfrom new views and methods.