The Boundary Between Fantasy And Reality In Painting

Fantasy and reality have always been the subject of concern for artists,and different artists in different periods have widely used the method of blurring the boundary between the two in their works.This processing method has different functions and presentations in many artists' writings.The use of this processing method in some of the early typical works I have selected allows the artist to have more words in the restricted subject matter and express a seemingly peaceful The surging dark tide under the surface borrowed fantasy photos under the background of oppression and resistance.With the change of society in modern and contemporary art,the semantics conveyed by the use of fuzzing have also changed.Take two artists such as Neo Rauch and Russ Irene as specific examples.In their works,the blurring process is more to convey the confusion and thinking of today's people.The fantasy and reality are ambiguous and the boundaries are blurred.They pay attention to the influence of the past on the present and their own situation.This concept of the artist is presented through blurring.This article will discuss the reasons for this approach and use specific cases to analyze how artists use painting language to blur the boundary between the two.The research method mainly uses time as a clue to sort out the more representative artists and their works using this processing method in different periods,mainly taking the cases of Neo Rauch and lars elling as examples for specific analysis.The discussion of the article is divided into six chapters.The first chapter summarizes previous researches on the blurring treatment of the boundary between the two.The paintings of many artists present this treatment,but theprevious researchers did not conduct independent research.The author explains this treatment in the practical significance and research status of contemporary art.The second chapter combines the important value of this processing method in expressing the subjective emotion of the artist in the elaboration of several art forms.Whether in ancient Chinese literature or in ancient Western to modern paintings,fuzzification has been widely used.The third chapter mainly expounds the application of the fuzzification of the boundary between the two in different periods of history and analyzes it by examples.This treatment in the early stage is an edge ball under the oppression of the rule,used to express the artist's exposure and criticism of reality,but in the later period of the modernist period in which the narrative disintegration and the collapse of rationality began to reveal the artist's reflection on his own existence,the pictures are mostly It is characterized by absurdity and fragmentation.The fourth chapter analyzes Neo Rauch and his works in detail,combined with his own experience and the factors that affect his painting style,how to blur the boundary between fantasy and reality in painting language techniques,to deal with Neo Rauch.He and his work are specifically analyzed.The fifth chapter uses lars elling's work as an example to analyze concretely,combined with his environment,analyzes how to blur the boundary between fantasy and reality in terms of painting language techniques.At the same time,compare the similarities and differences between the painting styles of Neo Rauch and Russ Irene,and find the common points that are also magical.Chapter VI combs the historical and contemporary artists 'painting language and techniques,and analyzes their own creations.This way of blurring the boundaries between fantasy and reality is better applied to the picture by summing up previous experiences.Use this processing method reasonably in your own concerns to find more possibilities for the work.Chapter VII summarizes the value and significance of fuzzing by summarizing the full text.I hope to learn from the predecessors and find new breakthroughs in my painting practice.