On Literary Cultivation And The Artistic Expressiveness Of Erhu Playing

Literature and music are both important parts of art. Playing and singing are two major components of music performances. While research related to the vocal music and literature is profound, research related to playing is very poor. With the development of Erhu Art, research on erhu is becoming more and more widely, mostly focused on the aesthetical, emotionional and technological aspects. Yet research about interaction between Erhu and Literary is rare. Through theoretical research in practice, the analysis of the existing data, respectively from the aspects of influences of literature on playing technique and expression of Erhu, and language links between the two, promoting effects mechanism is illustrated. Based on the combination of theory and practice, research on literature effects on erhu is completed, helping raise the playing level of the majority of music lovers. This research of erhu music performance also provides a new dimension and perspective to broaden the provides the theory basis for the development of erhu art, make traditional form advanced, scientific, to enrich the study of the theory of the erhu, and through the analysis of the impact of literature on erhu, forming the further thinking of music performing arts. The nature of the music in this desertive, key points of the analysis of the characteristics of the literature and the erhu master, comparison and summary, can make the players or the audience more comprehensive understanding and appreciation of this art.