Discuss The Local-color Narration Of Liu Xinglong’s Novels

From being obsessed with romantic stories of the countryside to the objective description of the pain in social transformation in Chinese countryside to the epic narration on the review of local history, Liu Xinglong’s novels are creative while inheriting the predecessors’ narration tradition. Because of that, his countryside novels become more and more attractive in the literature field nowadays.This thesis mainly analyzes Liu Xinglong’s local narration and consists of introduction, body and conclusion. In the introduction, the thesis mainly studies the author-Liu Xinglong and the previous researches about his works, then illustrates the reasons for choosing this topic and the significance and value of this research.The body is divided into three parts. The first part generalizes about Liu’s local novels from the whole part. After briefly generalizing the development of the countryside novels in China, this thesis discusses Liu’s local novels from three successive stages:being attracted by the imagination of countryside; putting the new magic into realism; mirroring the realistic by epic narration. The second part analyzes the countryside structure in Liu’s novels from the binary oppositional living world, the lofty lonely old men and the complex portraits of cadres. The third part analyzes the art of Liu’s local narration which is different from Lu Xun’s seriousness, and the pastoral style of Fei Ming and Shen Congwen. It is a new compound narration. The narrative position is folks-oriented. The narrative theme is love and kindness. The narrative style is natural. The conclusion briefly reviews the body of this thesis and provides a thorough judgment about Liu Xinglong and his novels.