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The Research On The Narrative Framework Of Historical Documentary"Eyeshot Of Phoenix"

Posted on:2015-06-18Degree:MasterType:Thesis
Country:ChinaCandidate:Z CaoFull Text:PDF
GTID:2285330431455604Subject:Press and Communication
Abstract/Summary:PDF Full Text Request
With the national tendency policy in the domestic documentary and the development of the documentary market.The Eyeshot of Phoenix is not only the trump program of Phoenix TV, but also a good example of domestic documentary,even the model imitated by some creative teams in TV station. This article is focused on the study of the documentary history broadcast by Eyeshot of Phoenix in2013, analysing its framework, summarizing the types and characteristics of the framework programmesAnd combined with the audience survey, analyzing the spread effect and its analytic framework program for the audience, to explore the the view of history the producers hold, and provide references for the the production and creation of domestic documentary.Research thinks, there are four narrative frames in the historical documentary of The Eyeshot of Phoenix, including Introspective,Exposing or Reducing, Humanistic concern and Publicity and praise。On the whole, Experts and scholars play an important role in the historical documentary and these works all meet the audience needs and interests. Notably,the attitude about historical events often default the official attitude. The reasons are the localization consists mainly of Phoenix TV and Eyeshot of Phoenix, creative team pursuit, the main audience as well as the basic system in the mainland and the development of China. Starting from the perspective of the audience, the audience recognized the basic media reality of Eyeshot of Phoenix, audience frames and media frame basically coincide. In this audience interpretation program, audience selective psychology, present reality and media technology play an important role in fighting.Therefore, I suggested to the current domestic historical documentary production. First of all, historical documentaries to the real bottom line, not to exaggerate the facts; Second, the view points must be objective and neutral, do not do a tool of education; third, in the process of creation, the creaters should control the interview of witnesses, and pay an attention to scholars and experts; fourth, the historical documentary program is not a simple about the history, in the layout should pay attention to realistic Association; finally, the media and audience should be as the standard, at the same time pay attention to new media, strengthen the interaction with the audience.
Keywords/Search Tags:Narrative Frame, Eyeshot of Phoenix, Historical documentary, Phoenix TV
PDF Full Text Request
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