Study On Cui Fengchun’s Piano Suite "Short Poem Of Grassland" In The Creation Aspect

The Mongolia style of piano works have an important position in Chinese piano music works, to the performance and interpretation of Mongolia ethnic music culture uses the piano whom in today’s society carrier highly popularized, this is not only the increase of a national music to expressed more deeply, image, but also conducive to the inheritance and development of Mongolia ethnic music. Created by Mr. Sang Tong’s "Inner Mongolia folk theme seven piano pieces" is the first Mongolia nationality style of piano works, after several dozens years there have been some outstanding Mongolia nationality style of piano works, for example, Mr.Meregjih’s works "mountain Festival",Li Shixiang’s "Mongolia style piano suite set" etc.. Cui Fengchun is one of the composers in Inner Mongolia area, his creation are instrumental music, vocal works,and so on. The2011publication of "Mongolia style music works" is an important part of Cui Fengchun’s works, the piano suite "Prairie Little Poem" in this paper is to analyze and discuss the content of.The first chapter mainly lists the parts of Cui Fengchun’s works of different genres and awards, and discuss the relationship between the content of this paper and Mongolia styles of piano music; The second chapter on the piano suite "Prairie Little Poem" were analyzed on the music theme and Characteristics of melody, and how to embody the characteristics of the nationalization for the four piano pieces; The third chapter is the analysis of Harmonic characteristics; The fourth chapter analyzes and interpretation of musical structure suite of four parts; The final chapter of the four main theme song texture research and analysis, how to reflect the color of polyphony.This paper studies analyze the creative theme, harmony and musical form, the four elements of texture as a starting point, analyze and summarize the four parts of "Prairie verses" in the creation of four elements to reflect the creative features. After studying how Cui fengchun inherited the traditional Mongolian music at the same time integrate their own creative features, and to learn how to Cui fengchun use a unique way to nationalization of the music unfolds. These make Mongolian-style music has broadened the thinking, and guide us to show music with ethnic characteristics in different ways and creative approach, these can make special Mongolian-style piano works always exist.