Research On The "Doupeng Xianhua"

" Dou peng Xianhua"that from Aina Jushi which as a landmark in the history of Chinesevernacular novel. Its emergence, marking and contemporary writers in the novel innovation on the basis ofthe formation of the new novel forms of differentiation and break, the break is also embodied in Chinesevernacular novel its basic mode and method. Aina Jushi lay itself is the vernacular novels consciouslyinnovators.This thesis is divided into five chapters.The first chapter is introduction part.,that mainly elaborates the topic of this paper and thepresent research on " Dou peng Xianhua".On the basis of summarizing the predecessors’ research putforward their own new ideas, and the work of the current related research do a comprehensive combing andanalysis, to put forward their own research ideas.The second chapter discusses Aina Jushi lay the person and his special life experience in the"XianHua". He is a former dynasty, as a devout disciple of Confucianism, he experienced a poignant,LiLuan home countries. In front of section integrity becomes a great test, that is the Confucian scholars,must be to seek a way out for his own position. In the end, he didn’t study Shi Kefa die the dead section, forthe new hope, but this does not change his fate. He had to retreat to the countryside, what had happened tohim into the soul of literary works, no longer blindly exalt the Confucian doctrine, writing articles is nolonger the compasses, began to "eccentric""YanLing chicken harmony in medicine wrapped, poking intoarticles","mang will21st over history, the other for sesame accounts" loud (sky crane "sequence")."XianHua" was based on such an opportunity to create.The third chapter on the basis of the history of the development of vernacular novels. this paperdiscusses Aina Jushi and his "XianHua" literary environment and Aina Jushi leading the literary ideology is his innovation consciousness, and thus concludes that "Xian Hua" in short vernacular Chinese novels in theprocess of the development history of the value and significance.The fourth chapter deals with the structure of " XianHua " unique form. Tells the story structurevernacular novel is the first one in China, it is not only reflected in the narrative and the characters of fluid,and the complexity of the narrative level, the more he arranged telling the story of quantifier "12" on, theChinese people’s understanding of "12" is unique, the color is an expression of regional culture.The fifth chapter mainly discusses Aina Jushi and his " XianHua " influence on the later operaliterature. First is written by "XianHua " with an or some story of drama literature, such as era and its closeapart Tang Ying " TangXi album turned as cooper", Fan Xizhe "three magic set" of "free play", from "XianHua " three his convictidon in the story, stored in kangxi’ s version (Hu Shiying literary novel scripts"introduction"). In addition to other literary forms, such as between qing qianlong Ceng Yandong wrote aclassical Chinese stories "small beans". Guangxu year new shock in the book "preface" referred to as"small talk"(Liu Yongqiang "introduction to Chinese ancient novel"). Can " XianHua " is the influence ofvarious is profound.