Three-dimensional And Planar-Oil Painting In The Form Of Language Analysis

Formal language is a painting of the most important, is also the most synthetic-aperturefactors, is the painter thought emotion into specific expression is an important part of. Along withthe time development and the transformation of ideas, in the form of oil painting language isbecoming more and more rich, this article through to the three-dimensional space in the form oftraditional painting and contemporary painting language form of two-dimensional plane incomparative analysis, combining with the development of the contemporary oil paintingcomplanation form language background and his creation, and continuously explore and practice,try to that seemed the two kinds of language forms of fusion and unity of opposites, and try to findthe combination of the two languages of painting style, to enrich the art of painting language form.This paper is divided into three parts: the first part, the form of oil painting languageoverview. Mainly to interpret the meanings and functions of art language. The second part, formlanguage of three-dimensional painting and graphic. This part through comparing to two differentforms of language, analyzes the two kinds of plane and solid language on the space structure andperformance characteristics. The third part, the individual art practice and theoretical research.Analyzes the current situation of the development of Chinese modern oil painting and erabackground, from the relationship between color and space processing, wire used in the course ofcreation, the complanation form language problems, etc, this paper combines the theory andpractice.