Study Of Comedy Creation In May Fourth Period

May Fourth period is an important one in the history of Chinese comedydemarcation point. Early20th century, China is experiencing a great and profoundideological liberation movement, the changing political environment at this time.Social change in the turbulent situation in the May Fourth Movement, China’s moderncomedy first appeared in literary history. This paper aims at the birth of the MayFourth Movement of modern comedy background, theoretical concepts comedycreation of the May Fourth Movement, play structure characteristics, artistic featuresand reflect on five aspects of the May Fourth New Literature that is the first of itsemphasis on the pursuit of fun collation and research to make comedy a decade.The first chapter discusses the background and reasons for comedy appears the20th century. Comedy in the May Fourth Movement opened the first Chinese moderncomedy creations, this is not accidental. Under the background of social call, humanconsciousness, the massive importation of Western comedy, the impact of Westerncomedy ideas are creative achievements of the May Fourth period comedy, but alsocreated its uniqueness.The second chapter focuses on the theoretical concept of the May Fourth period,mainly reflecting the relationship between the modern and the traditional old comedydrama. The two are not completely separated, and in the old theater violently attackedand criticism at the same time, China’s modern comedy in the initial occasion still playthe old inherited characteristics praise for positive character, ignoring or even ignorethe role of villain. So sharp satirical comedy greatly decreased.The third chapter of the constitutive features comedy drama made the May Fourthperiod discussed. Fourth District during the main types of comedy into comedy andsatirical comedy humor, humor, comedy representatives of Ding Xilin, YuanChangying so on. Works most of the content on the comedy revolves aroundappreciation and capture. The satirical comedy is representative of Mercy and ChenXiong Fuxi and other attempts by spicy strokes to expose social evils of playwrights.In terms of the character set, the May Fourth period comedy works mostly in the early "almost nothing " in the image of intellectuals and weakened ironic comedy "positive-type character." Multiple choice on the theme of love marriage gender themes toexpress concern for humanity, and show concern for the status of women.Chapter IV characteristics of the artistic creation of the May Fourth periodcomedy papers from the narrative point of view, dramatic and humorous style threeinstitutions made a discourse. In terms of the narrative and change the subject andobject as well as to the new system over the discourse reflects the initially establishedits dialogue mechanisms. Aspect is reflected in the dramatic structure is unique andending with more than a hint of deception from European comedies, such as comedymocking way. Still with the British comedy Similarly, the language of this periodcomedy drama full of odd language and declaimed. Overall presenting a witty nature.Thesis writing the final chapter focuses on the creation of the May Fourth periodcomedy pursuit of interesting discussion. Start with the analysis of the formation ofinterest for several reasons doctrine, then combine Xiong Fuxi specially interestingtheory about the doctrine of their limitations are discussed. Comedy is needed fun, thisis a natural property of comedy is the comedy of the most attractive place. Fun andmeaning of the relationship and the need to confront is not necessary, we can say acoat connotation of fun, but also an artistic expression.