The Gods Theme In The Animation And The Direction Of The Development Of A Simple Analysis

This paper aims to relevant national mythology animation analysis and researchto get to know the impact of this culture on the development of animation. Firstly, onthe myth of China’s domestic origin, development and mythological imageclassification, shape analysis, etc. Is divided into three areas, First, for the ancientmyth of the retrospective, That is the source of Chinese mythology, Understand theorigin of the myth from human subjective interpretation of the mysterious naturalphenomena, Also a reverence for nature that has caused this cultural phenomenon,Has spread way too broadly divided into written records and word of mouth the way;Second, for our two main sects-Buddhist and Taoist mythology related content abrief summary of some animated image through the "Properties" classification,explained the difference between the image of the Buddhist and Taoist mythologymyth, whether it is characters, there is a central idea, story or character colornoticeable difference in the Chinese animation respective dominate; Third, mainlythrough the various aspects of the classic fantasy Masterpieces "Shan Hai Jing" asdescribed, for example Japanese animation "The Twelve Kingdoms" simply outlinesthe mythology flexible use in animation, but also the use of their own mythologyabroad animation success stories. Then through the various stages of the developmentof Chinese mythology animation of case studies, combing the entire context of thedirection of the longitudinal analysis of the three stages of the development ofChinese mythology-budding, development and stagnation.The development of things has always been inseparable and external conditionsthat affect their objective factors, So keep on animation powerhouse Japan and theUnited States mythological animated case studies, both countries tried to analyze thecause of the success stories animation status of domestic mythology reasons. The fifthpart analyzes the problems start animation Chinese mythology, the mythologicalfigure of the existence of image building, mainly the following points,1, the nationalconsciousness is lost, which is the traditional culture is not inherited, the cause of thisphenomenon generally have two, one due to the development of national culturesblend, no good grasp of the domestic animation, make animated image building was abit confusing, even nondescript, Second, there is no effective interface to traditionalart to modern needs, if not the intersection of the two fields.2, loss of aesthetic positioning, market since there is demand, then the image should be consistent withthe creation myth of the aesthetic needs of the public, but, on their own,"beautiful",there are some limitations of cognitive Most viewers tend to be shapers confusion,resulting in an image created out of chaos, addition is shapers own aesthetic level,which is a direct result of the direct cause of the image shaped by the success.Elaborate on the above aspects, began to turn up in the form of creative research,focused more representative of traditional arts, such as the three directions, papercutting, clay, ink to briefly for the future development of Chinese mythology way todo animation a suggestion. Finally, a combination of traditional and modern way, howto learn from other countries’ success stories, in the form of doing creative work, thedevelopment of road movie has a better vision.