Discussion On "Pants Roles" In The Opera "Faust","Fledermaus Die","Rosenkavalier Der" In The Artistic Charm

Mezzo-Soprano the voice through the development of several centuries, until the nineteenth Century as a composer and music drama image of leading into the opera stage, appeared as Bizet’s "Carmen" Gypsy girl Carmen, Rossini "the barber of Seville" Rosina, Charles Camille Saint-Saens "Samson and Dalila" Dalila classic opera character. In the centuries of opera, Mezzo Soprano to image plays little part filled this stage, and its unique timbre as pants roles unique "opera"(i.e., wearing pants male roles played by women) act. Since nineteenth Century, the art of music more realistic social life, character relationship, emotional conflicts increasingly sharp contradictions, pants roles in this era of deductive more add contradiction and entanglement between the operatic drama. This paper mainly studies since nineteenth Century Mezzo Soprano in the role of shaping the juvenile drama image and musical image analysis, mainly from the theme is love opera, including "Faust","bat","Knights of the rose" three operas, and of the three operas in the pants roles to the analysis of wear pants the characters in opera drama charm from aria, duet and chorus three aspects.