This thesis aims to study the reciption of marxism music aesthetics of Soviet Union and Eastern Europe in China.Through expain the accept condition of marxism music aesthetics of Soviet Union and Eastern Europe in China, revealing the influence made by the ideas of marxism music aesthetics of Soviet Union and Eastern Europe in Chinese music aesthetic community. Besides, theoretical reflection would be focus through the contemporary context.This thesis compose of five chapter except intrduction and conclusion.Intrduction:briefing the different aspects of this paper including the field, property, meaning and aim. Five chapter:stating the reciption, inflence and reflection, which the marxism music aesthetics of Soviet Union and Eastern Europe brought in China respectively.Conclusion:making an conclusion based on the whole paper’s perspective.. |