A Brief Analysis On Mozart Concert Arias For Tenor

In today’s pluralistic art world, the work of Wolfgang Amadeus Mozart(1756-1791) is undoubtedly a shining star.54pieces of Concert aria by him with smoothly dramatic progression, without excessive exaggeration and ornamentation, fully demonstrate Mozart’s talent in vocal composing. This paper describes a general overview of Mozart’s concert arias, by study of Mozart biography and correspondence, gives brief review of the historical background and function of his9pieces of concert aria for tenor. Combined with experience of singing the K.420"Per pieta, non ricercate", as well as further study of its unique rondo form, the author provides a more detailed analysis and proposal on how to correctly grasp the overall style of tenor aria, and some crucial aspects in singing which need to pay specific attention to. Hope to provide a theoretical reference for future interpretation of singer.