The Research Of Narrative In Espionage Drama Of China

Television and film developed rapidly since the new generation. There are endlessvarieties of genres in Chinese Drama. Such as love, comedy, family, detective andhistorical, etc., however, espionage drama attract audiences’ attention, which is belongwith this times. Modern people who lived in peacetime need more positive life, at thistime hero in the drama might help them find their exciting heart. The espionage dramahas its own new start since2006. It is never stopped until2009“Lurk” come out,which is the highest audience rating drama in China. Most people interested inespionage drama when “Lurk” played on TV. More and more academic journal articlestudy about this genre. It is always popular in television and movie industry. Eventhough the producers from passion to aimless follow. Now it has turned to newbeginning from dispassionate thinking. It has already become a strong basement inChinese industry and nothing can instead of it.This article aim to research the narrative approach in Chinese espionage drama.The first part will give an appropriate definition of espionage drama. There will be aprocess to show the development of this drama. It will go on focus the drama withtheory in narrative. At the end, it will compare with abroad industry. The highaudience rating dramas oversea have their own advantage about creative background,narrative, female characters. It will also give more suggestion about the developmentof espionage drama in the future.