The Aesthetic Analysis Of Tibetan Buddhism Vcham Masks

Vcham masks is a Tibetan Buddhist culture after one thousand years ofaccumulation, and gradually developed a kind of important plastic arts.It is mainlyused in the temple monks attend various religious activities perform vcham’sceremony.Vcham and vcham masks originally from India, and continuously absorband acceptance, including the Tibetan Bon religion, Buddhism and folk songs anddances of other art, finally achieved the localization of art.Obviously, vcham masks’maturity depends on tional aesthetic ideal, which contains the artistic image, religioushe guidance of religious thought,also benefit from the national aestheticconsciousness. We can say that the two complement each other to always throughoutits long development. So, vcham masks art is a product of religious ideas andnatsymbols，performance practices also has a unique aesthetic implication. Althoughvcham masks is Tibetan Buddhism a propaganda tool to promote religious thought,but with its vivid expression and appeal, in the performance of year after year, finallybecome Tibetan religious art in a wonderful work.The paper is divided into four parts. The first chapter is a Tibetan Buddhistvcham masks the overall summary.The second chapter is a Tibetan Buddhist vchammask artistic—a comprehensive interpretation of the symbol.The third chapter is aTibetan Buddhist Cham comparative analysis of the artistic image mask.The fourthchapter is the depth Analysis of Tibetan Buddhism vcham mask aestheticimplication.Among them, this paper takes Qinghai Youning temple of vcham masksas the research case, and the in-depth analysis about its throughout the entire article.