The Formation Of Aesthetic Criticism Of China’s TV Series And The Theory Frame

TV series in China since reform and opening up the development of the business hasbeen growing by leaps and bounds, drama theory is also associated with a recovery in dramacreation in China. In the late70s, in newly resurgent s literary and artistic creation, the dramaaesthetic criticism is a bit weak in our country, the trace of political influence on literature andart still clearly visible, and in that time, our country’s cultural theory just encounteredsubversive destruction, want to sprout from the barren land, is a serious test for the oldertheorists, but under everybody in television art constantly explore, in this period, the art of TVstatus has been established, is other art constantly in the process of the entanglement anddistinguish, to independent aesthetic characteristics of TV art. In drama aesthetic criticism ofdawn, criticism of the TV show the article number and many, but because of TV art is the artof emerging up type, scholars on its basic characteristic is still not fully grasp, so related to thecriticism from the perspective of rare aesthetics, this article, more politically or residues haveshadow.In the mid-90-s, critics team began to grow, with the support of national policy, thedevelopment of TV is also very fast, appeared a number of excellent TV series, at the sametime, the TV drama aesthetics criticism began to developed. During this period, scholarsunderstanding of drama aesthetics of ontology to deepen, further broadening the range, beganto appear professional criticism, the criticism of these professional Angle is the buds oftheoretical framework in the future.In the late90s at the start of the new century, in a period of drama art has completelybeen agreed and accepted by the public, and drama theory also has grown up, the schools ofthought contend. So during this period, every Angle of the basic aesthetic criticism has beenmature, critics will choose according to his theory to build their own dimensions are veryprofessional aesthetic criticism. Among these criticisms article, the author according to theour country drama aesthetic criticism of the three periods, summarizes the theoreticalframework of our country’s drama aesthetic criticism.