Drama Actor Itself With The Characters Of Symbiotic Relationship

Cosplay is the essence of the performing arts, the factor of all the drama is playedand the service for the role. Therefore, every actor to correct and clear knowledge ofself and others played a role, and a profound understanding to the character, emotionand environment and the times, in order to create a delicate, lifelike image of stage andscreen. The actor is the role of the creator, actor "I" should be in the dominant position,but the actor in shaping the role has not fully self-expression, actor always createnumerous and their image of close to, but not exactly the same role, from this point ofview,"true" and "false" there is always a contradiction. The history, theoretical disputesabout the relationship between drama actors and roles are "expressionist" and"experiencing" different factions, this paper argues that the actors in the process ofshaping the role that persist in the first self (actor) and second (role) self duality. Thisdual requirement of actors in the creation not only needs to pay attention to their owncreative sense and creative mind, also experience the role of life and emotion, namelythe actor "I" to live in a specified situation in the experience of the role of the passions,stressed that "true" and "false" is an antagonistic relationship unified, from this point ofview, drama actor itself and the creation of characters is a symbiotic relationship.This paper is divided into five chapters, first introduced the research drama actoritself and the role of symbiotic relationship research significance and academic value,analysis the research status at home and abroad, the research method and purpose of thestudy; the second chapter is the definition and characters of the show, including theperformance interpretation and shaping of the dramatic role interpretation of the theory;the third chapter analysis of the relationship between drama actors and characters,including different theories of interpretation on shaping drama actor roles and symbiosisof drama actor itself and the role in the shaping of the thinking, and finally toPirandello’s "six characters seeking playwrights" as an example to explain itself and therole of actors shape of the symbiotic relationship; how to realize the symbiosis betweenitself and the role of actors in the modern theater stage, the analysis of the fourth chapter,one is the actor cognition and understanding, to the role of the two is the actor for therole of experience, three is the actor for the role of performance. The last is the summary. In short, this paper from the theoretical perspective for future scholars to study dramaactor roles to lay a foundation for detailed. At the same time, this paper puts forwardhow to make theatrical roles from the perspective of practice, in order to achieve theintegration of mutual symbiosis, the modern drama stage actors portraying charactersand provides a reference value and aesthetic practice.