Draw The Sacred Land Of

Oil painting was introduced into China has one hundred years of history, and landscape painting occupies an important position in the history of the development of Chinese oil painting, it comes in a wide variety of style theory exploration and creation practice on the stage of history in China. Reviews its development course, it is easy to find that many of the artists in the creation of more or less into the Chinese culture spirit, affected by the landscape paintings presented the can evoke in artistic conception. And the pursuit of the artistic conception is more and more obvious, how will China’s outstanding traditional culture spirit into the creation of oil painting scenery, make oil painting nationalization, produced in line with the aesthetic consciousness of Chinese culture, has become a landscape painter who explore the important topic in China..In order to better grasp the pursuit of artistic conception of landscape painting, explore the national art in Chinese contemporary oil painting landscape, in this paper, the contemporary Chinese landscape painting as the research object, on the basis of the development of Chinese landscape painting long, thinking about the present oil painting artistic conception, aesthetic characteristics and the analysis of oil painting landscape artistic conception of the access method, paper with positive attitude, trying to master the art of solid theory basis, through the analysis of the painter, art works, demonstrates the Chinese contemporary landscape painter painting of "artistic conception" is through the shape, composition, color, brushwork, subject begets etc on the actual situation, the scene, the natural simplicity and reflected on the basis of development, the unity of artistic conception is the virtual and real, a blend of sentiment and scene, and in the life and nature under the enlightenment of the survival and development.To develop their own landscape oil painting in contemporary China, must be under the advantage of Chinese traditional landscape painting rich connotation, foster strengths and circumvent weaknesses, and draw lessons from western painting observation method and the expression means. Predecessors Lin Fengmian bang chestnut, master wu guanzhong, exploration and research, is the concept of traditional Chinese painting and western oil painting skill and technique exchanges and integration, in the national culture of the spirit of integration into, fully showed the potential of Chinese landscape painting. To emerge in the present, and a batch of endeavour to find in the work and performance artist with Chinese traditional factors such as the modern and contemporary HongLing, mediaedge:cia and Zhang Dongfeng, Ren Chuanwen, Zhao Kaikun, Cui Guojiang, Chen and the west, Chinese oil painting landscape painting has formed rich and colorful appearance and type, is a Chinese spirit. Their landscape oil painting also influenced by Chinese traditional painting, meanwhile gives some flavor of The Times. Reflected in the standing on predecessors’ shoulders forward at the same time, the contemporary humanistic ideas and the integration of modern visual experience and transformation. At the same time, the pursuit of ancient Chinese aesthetic realm. Oil painting artistic conception in the work appear not only is the heritage of traditional national spirit, but also for the development of Chinese landscape painting process provides a broad prospect, seek the spiritual home of human for contemporary art opens a new road, it also makes the study of this paper is more practical significance.