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The Study Of Debussy’s Esthetics Of Music Under The Horizon Of Impressionism

Posted on:2015-08-12Degree:MasterType:Thesis
Country:ChinaCandidate:W L GuoFull Text:PDF
GTID:2285330431995927Subject:Music
Abstract/Summary:PDF Full Text Request
It’s a relatively common project to do some research on Debussy,the musician.Although there are plenty of scholars have made lots of research achievements on hislife story and his style of composition, there is only a few people who dig in hisaesthetic ideology, which is not only because of his unique esthetic ideology but alsothe immature and hysteretic development of music aethetic discipline.This article is based on predecessor’s research findings to analyze atimpressionism art trend of the end of19century and the beginning of20century,Debussy open a new way for20centry’s music with his unique composition style toexplain the concord,acoustics and express function. This article also elaborate hisaethetic ideology, especially in his esthetic ideology of the nature of music, therelationship between musci content and form,the artistic expression and the aetheticvalue-oriental of music. At last, it according to the development of20century’sEuropean music to discuss the position and influence of Debussy’s aethetic ideology.This article will help you to get impressive understanding of Debussy’s aetheticideology,his historical statue and his deep influence on20century’s music throughour systematically tease of his aethetic ideology.
Keywords/Search Tags:Impressionism, Debussy, Breakthrough, Hazy, Colour, “Imagery”
PDF Full Text Request
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