The Study On Music Features Of "Religion Chapter" Music Works Of Pipa Given By Liu Dehai

Liu Dehai is a world famous contemporary pipa performer and educator and acomposer. The “Religion Chapter”(including “di shui guan yin”,“xi qing luo han”,“wanxia qing qu”, and “bai ma tuo jing”) composed between1995and1998by Liu Dehai.This work is chapter Liu Dehai series works of a more mature stage. Embodies the LiuDehai eclectic innovative thinking concept and spiritual pursuit of inner beauty.The author consult a large number of literature material and the audio and video data,and in combination with the practice of his playing experience to Liu Dehai “ReligionChapter” four pieces of music characteristic are analyzed in detail. At last, by comparingwith the buddhist music to summarize the commonness of religious music. Through theresearch and analysis of this issue, Pipa players can improve the theoretical knowledgeto work. In terms of playing practice techniques using more handy.The article includes introduction, body and conclusion three parts. The text isdivided into five chapters.First of all, the author discusses the source of the topic, research purpose andmeaning. For Liu Dehai at home and abroad are summarized the current research statusof “Religion Chapter”, and put forward the focus of the research and the target, theinnovation points and research methods. In the Second, the pipa art development inChina were summarized and Liu Dehai pipa art. As the "Religion Chapter "piece of theoverall research laid a good theoretical basis.Finally, the text of the second chapter, the third chapter, the fourth chapter and thefifth chapter is the center of the thesis chapters. The author made a detailed analysis anddiscussion. The second chapter is the “Religion Chapter” four pieces of music ontologywere analyzed, including the proposition and drawn and the analysis of specific works.The third chapter is to analyze Liu Dehai religious creation concept, including the idea of“rebound”, the idea of “neutralization” and “religious thought”. The fourth chapter is LiuDehai “Religion Chapter” four pieces of specific performance skills in the inheritanceand innovation. In the fifth chapter, the author of “Religion Chapter” in the most representative works of “bai ma tuo jing” and representative works of wu tai buddhistsongs to the triple gem “san bao song” contrast to analyze religious music elements incommon. Through intuitive comparison to more detailed understanding of theconnotation of religious works and expression。...