Study Of Contemporary Ink Figure Painting Formal Language

The article does research in a special topic on the contemporary ink figure painting in the form of language,mainly analyzing through existing contemporary Chinese social,political,economic,cultural and the painter personal psychological angles to study the diversity of the contemporary ink figure painting formal language and make people have a more clear understanding and grasp of the development of ink figure painting.This thesis studies mainly from sever parts:the first part is to analyze the social and cultural background of the diversified development of ink figure painting; the second part is involved in the research on two forms of language about ink and modeling when creating the ink figure painting and study separately in pen and ink form complex to simple, line and surface and its internal emotions in this paper to explore the study of modeling form in expressive and realistic aspects; the third part is to study the relationship between color and ink in the formal language; the fourth part is the analysis of the composition form of contemporary ink figure painting; the fifth part is about different topics in contemporary ink figure in the form of language and analyses the reasons of the subject pluralism and also enumerates the several types of the subject of the more common ink figure painting painters and works to form the analysis of the language in this paper, such as urban, rural themes, gaudy, minority nationalities, military themes, opera theme, etc; the sixth part is an exploration of a new form of experimental ink figure painting. The last part is a conclusion of the study about the whole article.