The Pathos Of Xiao Hong’s Novel Language

Because of the influence of Xiao Hong by lack of experience, have a traumatic experience both in the aspects of affection or love, plus long-term immersion of regional culture influence and so on make Xiao Hong’s language on the whole show a sad, sad style, between the lines through a lonely, sad mood, surging inner strength, and provide much material for thought connotation of enlightenment. In this paper, starting from the specific text, language features of Xiao Hong’s novels tragic language.The author mainly from the tragic language regional culture perspective, pathos language image narrative, three aspects of tragic language and body language in order to discuss and analyze. The regional culture of pathos language from the perspective of the main performance for the Shaman culture burying, black land culture rye, bearing under traditional culture of female sorrow; tragic image narrative language mainly from the plants and trees, the sun and the moon image image wandering desolate to explore; tragic language in body language from the expression language, gesture language and posture language angle show pathos connotation of the language. The third part discusses the aesthetic value of Xiao Hong’s novel the tragic language. Embodied coexist in the desolate and warmth of existence; on the other hand, the performance of presence in tragedy and poetic life.The language in the novels of Xiao Hong sad not simple sense of sadness. Behind the pathos of the language, let us feel the Xiao Hong and her broad mind, her performance in the individual existence the fate of life, pay attention to person’s survival condition, the eyes on the concerns of the whole, the individual tragedy feelings rising to the overall sense of hardship. Let us also deeply reflect on how we live truly alive.