Bao Yuan-Kai "Third Symphony-the Opera" The Wording Of Texture Analysis

"<Third Symphony>-Peking Opera" Mr. Bao Yuan-Kai should Beijing Symphony Orchestra is the author of about a symphony with Chinese national characteristics; the symphonies to opera in different roles in different musical character-based, Western symphonic genre for the performance of a multi-movement divertimento carrier works. Works with traditional opera music and background material, once the net ugly born into each chapter, percussion, strings, brass, woodwind performance featuring mood respectively.The author of Bao Yuan-Kai "Third Symphony-the opera" The writing style texture analysis and study, and strive to explore the texture feature writing in the music. This paper is divided into a total of three parts, the first part is an introduction to the composer and work; the second part of the work for the common shape and texture texture analyze movement; the third part is presented in the form of national organization inheritance, from the texture to show the concept of ethnic sounds and texture of traditional folk instruments of writing two aspects. By Bao Yuan-Kai "Third Symphony-the opera" written texture analysis to resolve one of the texture structure, texture fusion of Chinese and Western forms of exercise and texture of the band, starting from the analysis of texture is relatively new cut point, the work has a unique texture structure and form, both on the West band texture writing inheritance, but also on the Chinese traditional folk music texture features fully reflect the band’s fusion of Western writing style texture.