Beyond The Rouault-under The Background Of The Modernity Of Duan Zhengqu

The influence of modernity, this double-edged sword, a contemporary artist China attention by the transferred to the great ideals to the state of existence of the people, the performance of the individual is the basic feature of modern art. In the face of the basic characteristics of individual performance, some artists direct expression of contemporary people confused and helpless in the face of modernity, while another group of artists return a body to go, the pursuit of mankind from ancient to modern times exist in people’s spiritual world noble feelings, while section is drainage is a representative painter after a type of. He found in the western modernism in the process of an expression of artistic spirit of the law in the study of art history in the Rouault, such as painting language of painting color, texture, strokes, lines, etc. to express the structure of the spirit of the work position, but more important is Duan Zhengqu on this basis will also feature of Oriental freehand brushwork painting application to their paintings, such as its pen itself, strokes, lines are extension of author’s life rhythm, if Rouault line is a facial expression picture, then the section is drainage line not only have the expression, more important is to have life, form different from the established rule with modern spirit based on the traditional culture of the east section of the drainage style, this point has great beyond of the rule. Able to skillfully make the traditional culture and the western culture resources combined, careful to create your own feelings and judgment of this era, serious about native humanism and life consciousness of concern, this artist is the true artist.