Talk With Contemporary Aesthetics And Attempt To Transform Traditional Comedy Drama Elements Guide-adaptation With Director Notes 《Drunk》

Zhang jian once in the book \"history of Chinese modem comedies\", said:\"the comedy of the gene has survived in the Chinese classical drama. People often can feel it, but it is difficult to clearly grasp it. Therefore, in the traditional Chinese drama theory and aesthetic thought, has never appeared independent comedy theory, nature is not the establishment of the comedy category. The Chinese awareness for comedy, with a concept generalization of the model in the process of culture inheritance and breeding.\"After fully understand the general situation of contemporary comedy, I decided to explore their own adaptation of old comedy. From the aesthetic consciousness, modern thought theory. From script by contemporary comedy elements, structure, character, conflict, script theme, etc., all aspects of contemporary comedy. In this kind of attempt to explore, I understood the concept of modern Chinese comedy, as well as the premise of humor comedy, more is to explore the prospects of the development of contemporary comedy, and using the script reflect some status quo of contemporary people’s thoughts.In the understanding of study, I found that the writer Ding Xilin is the leading figure of modern Chinese comedy. His comic became the benchmark for China in the early 20th century. Ding Xilin, as well as the emergence of his comedy, undoubtedly has a part in the history of Chinese comedy.But Ding Xilin work already very old, after all. Although his comedy is very classic, but in the contemporary appears unavoidably some place. Ding Xilin in \"drink\" in the original main want to performance is a marriage without love is painful. Ding Xilin, however, in the original script is a wife for others love, sympathy and couple with dialogue. The single form, is not entirely a marriage without love is painful. Contemporary point of view, sentiment is open, is the need to direct expression is not implicit, therefore, in our opinion, the old comedy without a considerable interest. Combined with contemporary people for a significant change in aesthetic value trend, either in China or in western comedy aesthetics are tend to be \"aesthetic generalization\", in life intravenous drip began to become the focus of attention. So the formality of comedy baggage cannot appeal to viewers. And emotional expression way of the said before open, so I explore changes in the stage of comedy, multi-purpose baggage to the more direct way of theatrical expression and comedy. In this series of innovative change try to explore a topic:that is to transform traditional comedy with contemporary aesthetics and dramatic elements to try.