The Subjective Color Theory Of Chinese Contemporary Female Painter Works

Refers to all emphasize the main body subjective color language, in the contemporary oil painting creation, many performance artists from different angles with the spirit of self construction of main body, the style of works also have different tendencies, decorative, symbolic, abstract, imagery and so on, but due to the influence of the traditional culture of Chinese China, painters rarely go belonging to my painting style, emphasizing the common is to construct their own creative subjectivity and subjective color language, this is China painting has a major characteristic different from western modernism. Subjective painting Chinese also from the different angle of view which embodies the aesthetic and ideology of contemporary people. Subjective color usually has two main functions. It is from the aesthetic point of view, the creation of the main aesthetic conception of objective things, the second is from the artistic creation point of view, the influence on the style of the color language. The visual impact is the use of visual art, so that the viewer’s visual senses and influenced by the viewer, you can leave a deep impression. Chinese contemporary female painters subjective color has obvious visual impact, and with basic colors strong to render subjective mood. See all has the obvious characteristics of a female aspects of Chinese contemporary female artists from the works of color and rhythm angle, expressive works of subjective color in another aspect of contemporary female artists are very strong, no matter is the base comparison tone color or shading are relatively clear. In the use of contemporary female Chinese oil painting subjective color, the performance of the rise of the Chinese female independent consciousness. Refers to all emphasize the main body subjective color language, in the contemporary oil painting creation, many performance artists from different angles with the spirit of self construction of main body, the style of works also have different tendency, decorative, symbolic and abstract, imagery and so on, but due to the influence of Chinese traditional culture Chinese oil painters, rarely belonging to my painting style, emphasizing the common is to construct their own creative subjectivity and subjective color, this is the Chinese oil painting has a characteristic different from western modernism. The subjectivity of Chinese painting from the different angle of view which embodies the aesthetic and ideology of contemporary people. Subjective color usually has two main functions. It is from the aesthetic point of view, the creation of the main aesthetic conception of objective things, the second is from the artistic creation point of view, the influence on the style of the color language. The visual impact is the use of visual art, so that the viewer’s visual senses and influenced by the viewer, you can leave a deep impression. The Chinese contemporary female painter’s subjective color has obvious visual impact, and with basic colors strong to render subjective mood. See all has the obvious characteristics of a female aspects of Chinese contemporary female artists from the works of color and rhythm angle, expressive works of subjective color in another aspect of contemporary female artists are very strong, no matter is the base comparison tone color or shading are relatively clear. In the use of contemporary female Chinese oil painting subjective color, the performance of the rise of the Chinese female independent consciousness.