Han Writers’ Writing On Tibet Since The 90s

Tibet has seen the spotlight gradually with the rise of "Tibet Culture" since 1980s, which leads to Tibetan themed works pouring. This paper analyzes the phenomenon based on the study of Han writers’ writing on Tibet since 90s. It is this cross-cultural writing breaks the boundaries between nationalities with a unique perspective starting new type writing paradigm on Tibetan culture. The article studies and inquires into the writing on Tibet by Han writers from the culture background, imagination of Tibet, writing strategies and writing difficulties and misunderstandings.The thesis is divided into six parts and they are introduction, four chapters as main body and conclusion respectively.The instruction part shows the process of writing on Tibet by Han writers and analyzes the reasons for their appearance and influence subsequently each age. And it mainly introduces three important writers, Liu Ke, Ma Yuan and Zhaxidawa, whose writing laid a solid foundation for the Han writers since 90s, starting a new trend on writing of Tibet.The appearance of writing upsurge comes with complicated culture backgrounds. Chapter one illustrates the culture background which includes three aspects. Firstly, loss and pursuit of culture, continuing the roots theme of the 80s,"craze for traditional Chinese culture and the craze rise of minority cultures in 90s brought a wave of Han writers’ writing upsurge in Tibet; Secondly, the globalization of the 90s lead to the formation of multi-cultural landscape, the rise of consumer culturalism, provides a new direction for the Han writers’Tibet writing; Thirdly, the Continuously opening up and development of the society bring about social environment crisis, the rise of ecological literature, provide a new idea for the Han writers’ writing of the Tibetan.The second chapter is divided into four areas to introduced Han writers’ imagination of Tibet, legendary mysterious, romantic poetry, ecological harmony, philosophical speculation, those writers mostly lived in Tibet, Ma Lihua, Fan Wen, Ning Ken, writing down their own understanding of Tibet,by showing a distinctive Tibetan appearance to reflect their thoughts on Tibetan nationality and the culture.While Han writers lived in Tibet, the Han identity and the central plains mainstream culture will inevitably affect their writing, the third chapter analyze the various narrative strategies adopted in Han writers’Tibet writing, borrowed the clever narrative techniques to make readers to ignore their Han identity, their trying to stand in the position of.the Tibetan to show Tibet, so as to create a real Tibet,maximize access to Tibetan ethnic identity.Although Han writers try to avoid the Han identity and the influence of the central plains mainstream culture, their still can not avoid the effects of these intrinsic factors, therefore, in their writing in Tibet is faced with writing difficulties and errors, the fourth chapter discusses the Han writers’Tibetan writing difficulties and errors, with the Han identity into Tibetan, The pain and anxiety by the collision of double dual cultural identity as well as the influence of mainstream culture make their Tibetan writing more richer, more meaningful.No matter how, Han writers Tibetan writing enriches the Tibetan literature, injected a fresh blood into the Chinese literature. By the analysis of the above several aspects, aims to analyze the the uniqueness of Han writers’Tibetan writing, deepen the understanding of this cross-cultural writing imagination.