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The Study On The Rheological Properties Of The Narrative Voice Of Wang Meng’s Novels: The Mono-tone And The Multi-tone

Posted on:2016-01-02Degree:MasterType:Thesis
Country:ChinaCandidate:Z H HuFull Text:PDF
GTID:2285330464450883Subject:Literature and art
Abstract/Summary:PDF Full Text Request
In this paper, in chronological order, from the perspective of the narrative voice in the novels into a single sound stage, more sound initial formation stage, multi-stage sound and flourish, and their causes are described as characteristic sound will be on the analysis of the process and the various stages of its flow. At the same time, the various stages of its lack of narrative breadth and depth of sound spiritual contents were analyzed to explore jointly the lack of contemporary Chinese writers and personal, cultural and social reasons in this regard. This paper is divided into five parts as follows:The introduction of writing the main account of the background, purpose and meaning. In the Narrative Perspective, with structuralism, feminist theory, combining theory Bakhtin dialogue "polyphonic" novels, the narrative voice is determined from the text of the understanding of research in the Novels From this point of view and from a theoretical level possible.The chapter one: In one of the early literary masterpiece Wang Meng "Long Live Youth" for example, to confirm at this stage in the Novels from narrator discourse, discourse figures, quoted discourse, the construction of characters and other aspects of the system by having a strong author controlled features, this feature is reflected in the level of narrative voice, it makes obvious the novel "single-voice" feature, this single voice features reflect the author’s unipolar ideological positions. Personal, cultural and social reasons on this basis, the formation of this chapter will feature mono analyzed and compared with the relevant representatives of the same period of comparison, Wang Meng early to reveal the words mono monologic novel feature of objective and subjective reasons.The chapter two: taking "butterfly" as an example, which is one of Wang Meng’s representative works at the transformation period, from the characters’ inner monologue, narrative tone and other aspects of analysis Wang Meng in Narrative Discourse in the continuation of this period, while the remaining mono state, began to appear "noises" and "miscellaneous phrase" factor. On the one hand, narrative discourse weakening control type features, on the other hand for dissident voices to keep "tolerance." At the same time, the world of the characters also appeared diversity judge trends, which indirectly reflects the author insisted unipolar ideology to complicate clues. On this basis, this chapter will explore the subjective and objective factors produce this change.The chapter three: In "Active Fluctuate" for example, on the analysis of Wang Meng Literary Creation in the late 80 s into the sound development of a multi-stage deepen, the novel, the narrator and the author not only produced a "distance", the narrator discourse, people discourse and speech reporting also shown a significant multi-sound features. The new pattern shape and set the terms of characters, multidimensional narrative perspective selection and conversion are displayed, the authors go beyond the basic criteria, and a single ideological worldview unifying element, polyphonic narrative form shape. Form a multi-part narrative voice also confirmed the author and literary interest in the aesthetic aspects of transition, which is Wang Meng themselves to deepen the understanding of life and society, it is closely related to the concept of multiculturalism and the pattern of a new era of understanding and adaptation.The conclusion will explore the novels by the monaural sound generally associated to more sound from monologue to dialogue with the changing times and changing personal adaptation. At the same time, he pointed out that the third phase of the novels "multi-part" superficial spiritual narrative voice under this superficial and Wang Meng own personal path in life and world view, his adaptation options and other reasons the present reality the most profound connection. At the same time, this feature contemporary Chinese writers and literature also has a great representative, therefore, take it as a sample characteristics and limitations of the historical perspective of contemporary Chinese writers and literature, it has a special value.
Keywords/Search Tags:Wang Meng, narrative voice, dialogue, single-voice, multi-voice
PDF Full Text Request
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