A Research On The Development Of Chinese Accordion Music Arts Under The Background Of Amalgamation

Accordion is a kind of elegant music art. It is also a kind of popular music art all over the world. Accordion was introduced to China in the early 20th century and soon it was spread rapidly and deeply rooted in the folk due to its beautiful timbre, harmony, great volume and convenient size. Especially in the 1990s, the accordion music art in China has reached its peak and made great achievements in theoretical research, accordion performance and music creation as well, which has shown its dazzling brilliance on the international stage. However, in recent years, Chinese accordion music performance reveals a shrinking trend; accordion music art development is encountering unprecedented bottleneck and people even doubt whether accordion music art has already completed its historical mission and will become relics or not.As a student majoring in accordion music for many years, the author of this thesis has a deep love for accordion music art. Disagreeing with the above doubts, the author tries to comb and analyze the development of Chinese accordion music art, make clear the basic trend of accordion development in our country, find the achievements and also problems in the process of Chinese accordion music art development. And the author will try to put forward the solution of the problems, aiming at overcoming the bottleneck of Chinese accordion music art and going out of the development puzzles.This article is divided into five chapters. The first chapter is "introduction"; it introduces the research background and significance, research status at home and abroad, and the research content, method, circuit and innovation. The second chapter is "the art of accordion music development of our country". The author has consulted a large number of relevant information, and then divided the Chinese accordion music art development history into five stages. The author also makes detailed analysis on the diversified development of Chinese accordion music art characteristics. The third chapter is "the opportunities and challenges facing the Chinese accordion music art in the multi-cultural background". Comprehensive analysis of current difficulties and challenges facing Chinese accordion music art has been made in this chapter. The fourth chapter is "the future development of Chinese accordion music art". Some suggestions are put forward on the future development of Chinese accordion music art. Also, it reaches the conclusion that Chinese accordion music art should find an appropriate balance between internationalization and nationality by combing national music and international music in order to achieve the long-term development. The fifth chapter summarizes the research results and deficiencies of this article.