Chinese Opera Traditional Vocal Music And Its Enlightenment On Modern National Vocal

As an important part of Chinese music culture, national vocal need to meet the spiritual and aesthetic emotion of the majority people. The national vocal must have its own unique artistic charm if it want a rapid and long development. The more national, the more the world. The key to the development of the national vocal is rooted in the traditional Chinese vocal music culture, seeking the cultural origin of the national vocal and passing down the artistic essence of the Chinese national vocal instead of the blind pursuit of the theories and methods frorn the Western. As the essence of the Chinese musical culture, the Chinese Opera traditional vocal music is our country vocalist and theorists in the long-tern practice to sum up is the most important element to reflect the national style of our national vocal music, mining the essence of Chinese traditional vocal, draw lessons from these precious experience, is the most of fundamental development way of our country modern vocal music.Vocal itself is emotional art which behaves the emotion more than describing the emotion. More specifically, it expresses the emotion by languages but it shows the emotion by actions. But today, many singers of the Chinese national vocal focus more on the techniques than the emotions. Performances always lack enough understanding of the typical work’s style, flavor and emotion. Although voice training is very standard, performance of the works is phenomenon of "one mouth for thousands of people".But in Chinese Opera singing, all of the same rone all with the same feature should be avoided. The recreation of the work should be more flexible according to individual. More attention should be paied to the "word", using the sing rules of "clear articulation, full tone", expressing the deep emotions with the lyrics. The style and flavor of the lyrics should be expressed by pursuing the flexible run cavity techniques of decorating every sound and run every cavity. The stage movements should be able to shape the characters and profound the emotions of the works. Emotion is the ultimate goal of vocal art, many existing studies have emphasized the works of the emotional content and the melody, emphasizing the creation of emotion itself, in addition, the second creation itself contains emotions, skills training itself also contains emotion, some second creation also can exist apart from the once creative skills. So Chinese modern national vocal wanting to meet the aesthetic needs of the majority of our people, keeping its national character, and reflecting the national sentiment and personality, must be rooted in the soil of Chinese traditional culture, especially of absorbing the essence from Chinese opera singing, it is also undeniable that pushing the way out of the national vocal the Chinese opera techniques is a reasonable and sensible.This paper first chapter basically combing traditional Chinese opera vocal music development and expounds the traditional vocal music by affection as the center of the principle of singing. The second and third chapter, as the core with the "emotion", from singing language skills and breath, and the singers, embllish cavity and form performance, explore the traditional vocal music theory and modern national vocal music inner link, mining vocal music two degrees the depth of the creation. The fourth chapter to guo lanying, a singer "from Chinese Opera turn to national vocal" as an example, this paper discusses two degrees in their creation of commonness and difference, the opera singing art essence successful shifting in songs, unique, confirmed the national vocal music grounding the the feasibility and effectiveness of the traditional opera.