Difficulty In Writing The Life Tragedy

Hu Xuewen is an excellent contemporary writer of China. Since published his firstwork——play it by ear, he has never stopped creating novels. His novels are not only thequantity, but also high quality. Many of his works are republished by domestic well-knownpublication, such as People’s Literature, Contemporary, Chinese Writers etc., of which havebeen adapted into films and deeply loved by people. Hu Xuewen chooses the bottom figuresas the narrative heroines, focusing on their fates and living styles, which embodies a goodwriter’s personality and spiritual dimension. Therefore, he received high critical acclaim. Inrecent years, the research on Hu Xuewen’s works is warmer and warmer.The thesis adopts the traditional sociological criticism, on knowing the world. Startingfrom the theme angle, it analyzes the suffering life and life force of the little figures in HuXuewen’s works, the author’s humanistic concern and artistic exploration in order to explainthe works’ connotation well. It discusses the spiritual strength of Hu Xuewe’s novels, whichreflects the noble intellectual’s feelings.The thesis is divided into three parts. In chapter one, it concerns the tragic images of HuXuewen’s works——the miserable life of little figures, of which it interprets the sufferinglife of the vulnerable groups, the tragic life of female roles and the crack life of underlyingofficials. Life is not always full of sunshine, the lives of the bottom ordinary people are moredifficulty. Under the stress of poverty, the spiritual shackles in the feudal ethics and therestrict of the rights society, the bottom people, especially women, whatever politics,economic or cultural level, are in absolute disadvantage. Even the bottom official classes havethe plain thoughts for people, on the other hand, they also feel helpless about beingworldly-wise and playing safe under the right pressure. Everything indicates the tragic lives ofthe bottom people.The second chapter talks about the force of facing hard life in Hu Xuewen’s novels. Firstof all, it concerns about the spirit struggle of the little people. The reason that tragedies havehuge spiritual strength is sad but not sad. The bottom people have hard life and unpredictable fate in the novels, but his works don’t just stay in a simple statement of the tragic life. Life isso hard. In such troubles, the bottom people do not give up their faith and seek the light andjustice. Although they are obscure, they strive to achieve their existence value in the sufferinglife. This is the prairie spirit inheritance from the writer’s hometown, it is the home of thenational hope. Hu Xuewen fully affirmed the bottom people’s spirits. Second, it tells that theauthor’s life experiences and spirits have great effected the ideological implication of hisworks. Hu Xuewen’s works show great tragic shock. On the one hand, unique grasslandexperiences deepen the writer understanding about the tenacious vitality of the minorcharacters, on the other hand, carefully observing the life enriches the tragic spirit connotationof Hu Xuewen’s novels.For the37-year-prairie life, Hu Xuewen has the simplicity and thetough characters. The grassland piety, the respect for life and sticking to spirits are deeplyimplanted in his heart, which has laid a solid ideological foundation on his “for life” novels.Hu Xuewen deeply roots in the land where he was born and raised and concerns the bottomfigures on the land with an almost religious attitude. He concerns about the suffering life ofthe little people and laments the characters’ fate, deeply revealing a author’s personalitycharm and spirit pursuit. Therefore, the author’s humanistic care fully affirms the spiritualvalues of the little people.The third chapter mainly reveals that Hu Xuewen carries on the artistic explorations inhis creation in order to explain the ideological connotation well. From the technical level toenhance the work quality, it highlights the works tension and unfolds the writer’s ideal pursuit.Hu Xuewen combines the modernistic elements with the realism creation, through thespace-time staggered, the actual situation, the narrative sequence changed, suspense set,repetition, meta narrative, absurd and other ways, make the works more vivid and morethought. In the narrative structure, Hu Xuewen is exploring. He breaks the single line of thenarrative structure and highlights the theme, enriches the contents, naturally describes througha complex structure. In the story, Hu Xuewen plays storytelling talent. He sets the legendaryplots, which makes the works more attractive and more thought in the foundation of goodreading. In addition, Hu Xuewen also carefully refines, continuously innovates, and makes hislanguage more unique. Hu Xuewen is looking for a broader creating way through his efforts. In short, Hu Xuewen reflects Chinese strength and spirit direction of an intellectual in hisworks. His works win the readers’ love and gain high praise from the critics, but there aresome unsatisfactory places in his works. For example, the novels are written too really, whichlimits the development of the author’s writing space in a certain extent. The contents of theworks occasionally feel heavy complex, which influences the aesthetic implication of thenovels. In the aspect of the language, it can be further character. Hu Xuewen, as the grasslandfaithful son, maintains the dignity of the grassland people and sticks to his creative spirits. TieNing’s evaluation of Hu Xuewen “solid life, honest writing”. Hu Xuewen is such a qualitativeand resilient writer. In the future literary creation, he will interprets the works’ spirits, withdiligent attitude towards literature, facing the suffering literature spirits, sympathizing for thepeople of literary feelings. We believe that Hu Xuewen’s creation in the future will be to moresuccess.