From "Thousands Of Miles Jiang Shan Tu" Talk About "The Boundary" Of The Expression On Traditional Chinese Painting

Wang Ximeng as a young talents in The Northern song dynasty, created a long longscroll of “Thousands of miles Jiang Shantu”，that is unrivalled in all ink Danqing of the worldmore than thousand years, As the greatest masterpiece of the traditionally blue-greenlandscape painting. The Chinese ancient colours and Ink condensation into “The boundary”together, and become the model represent in Traditional Chinese painting. Since the NorthernSong Dynasty painting ink and traditional mainstream, But the originality of the greenlandscape of the Northern Song dynasty and its wonderful out for admiration, hard to climb,especially young Meng Jun Tetrarch green landscape painting scroll“Thousands of milesJiang Shantu”. This article closely around this figure, associate development, explore thedepth of spirit of traditional Chinese painting“The boundary” of the expression, In the field ofland, homes, paintings, original aesthetic realm of mood, thoughts above all, conform to thetraditional painting“The boundary” power, Concerned about the efforts of a Chinese painting.The paper altogether divides into six parts. The first part of the introduction, the main sourceof discussion topics and research significance, research status and research methods, and theresearch of heavy, difficult and innovative points; The second section expounds definition ofThe boundary, Artistic conception, levels; The third part combines representative works andpainting language from the various Chinese traditional painting development period, priorityis given to the origin, history, interaction of social environment and blue-green landscapepainting; Part Four briefly introduces the life of Wang Ximeng, in-depth study from fouraspects of Thousands of miles Jiang Shantu’s painting content; In fifth part, this article furtherexpounds the chinese painting characteristics in depicting figures, mountains, rivers, constructhuman settlement, from the three proposed “The boundary” is the refinement of traditionalpainting spirit; The sixth part Summary of finishing painting "the boundary" expression of theoriginal driving force to bring the era of Chinese thinking. Part seven concludes the wholearticle.