Thinking About The Study, Research And Creation Of Heavy-color Blue-green Landscape Painting

This paper tries to expatiate on the ideas and ideals of life,universe and philosophy reflected in the works from the aspects of antiquity,sketching and creation,which is also a "creative practice report" for learning summary at the present stage.Thus the whole paper is mainly divided into three chapters to discuss the three aspects of painting learning.The first chapter will describe my study of Chinese traditional green landscape painting,including the picture,techniques,schematic spirit to give me inspiration;The second chapter is based on the natural object imagination and experience to make a statement,and talked about the Chinese and Western view of sketching;In the third chapter,several works of painting respectively listed the subject matter,painting spirit,the influence of Chinese and Western painting and my own attempt to create works under the frame.In the creation of grasps at present stage,the concept of the "mirror image" is a main line,through image content is in my study to explore on the learning of the Chinese traditional green landscape painting of the side of the echo is also reflects the inherent "heart",maybe "mirror" the analogy is a traditional Chinese green landscape painting in the painting language of "reflection" again today,Inheriting and developing the spirit of Chinese traditional green landscape painting is an important direction of my painting creation.Among the several works to be elaborated in this paper,it is the first proposition to focus on the relationship between human survival and natural environment and to explore the new expression language of green landscape painting based on the depiction of the concrete natural world.In fact,each creation is a reflection on the perplexities in life during this period,and the purpose of art is also based on this.Perhaps realistic things can only become art after being re-constructed and re-imagined.This is the essence of art.In their learning of the Chinese traditional green landscape painting,gradually clear the similarities and differences between Chinese and western art,through the thinking of learning in the face of contemporary art,may be more clear,good works can bring inspiration to the global art system,bring contemporary art framework is missing,I think,a good work should look on this.This paper mainly analyzes the images in the works,and conducts a question-oriented research and interpretation around the many "existence" in the works.The artistic form,aesthetic exploration and spiritual conception reflected by these works in today's painting context make them an important part of the construction of my painting world.The main line of the work is the study and exploration of traditional art,the imagination of the existence of time and space,and the ultimate concern for natural life.I hope to put forward new thinking and cognitive attention within my ability.From the imitation study of "Shanglin Tu" to the painting of natural landscape to the series of works such as "No distance",they all reflect my painting interpretation of today and the future.