| "Silk Road" appears on our art scene in1979. It appears as if the breath of fresh air forthe downturn ballet creation blew away the haze, brought new impetus Chinese dance dramadevelopment."Silk Road" theme inspired the creation of the Dunhuang frescoes in the TangDynasty Silk background for the story takes place, praised the artistic labor of God T Zhangand Geisha British mother."Silk Road" in the creative process and its hard, ballet seriescreators who stick deep in the desert, Dunhuang thousands of Buddha statues, tens ofthousands of square meters of mural art folk songs were so quiet these statues gives therhythm of life, to show the Dunhuang Mogao mysterious artistic charm.From another side, the "Silk Road" as a classic Dunhuang art reproduction, the creationand performance of course, to promote a new classical dance genre-Dunhuang dance wasborn. Dunhuang dance genre’s founder-Professor Gao Jinrong start from the creative stageballet, it participated in the "Silk Road," the play’s rehearsal work. It is from this danceamong high Jinrong see the feasibility of the Dunhuang frescoes static into dynamic dancestyle of dance as well as a broad development prospects. In the "Silk Road florid" Therehearsal process was performed on high-Kim preliminary artistic practice Dunhuang dancegenre, laying the foundation for the emergence and development of this branch of classicaldance genre. We can say that there is no "Silk Road", there would be today’s Dunhuang dancegenre.The "Silk Road" in the Dunhuang frescoes known as the dance was incredible "bouncePipa" Dance, Dance genre Dunhuang undoubtedly embodies the aesthetic ideal. Therefore, Ibelieve that the combination of aesthetic ideal Dunhuang dance schools, dance style from theelements as well as the use of perspective to analyze the classical ethnic dance drama "SilkRoad" aesthetic implication, will be a very meaningful research.The full text is divided into six parts to carry out. The first part is the researchbackground, significance, current research, research methods and content; second part is forthe "Silk Road," the story of a comprehensive introduction; third part will combine aestheticstyling and Dunhuang Dunhuang frescoes dance dance genre ideal, to interpret "Silk Road"of art features; fourth part is the "Silk Road" exposition national characteristics and aesthetic connotation; fifth part is the "Silk Road" artistic value reflects discussion, from a historicalpicture of the show, during the era of special significance, shaping a new cultural symbolsand cultural brand three aspects; fifth part is the conclusion, a general summary of the fulltext. |
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