The First Exploration Of Tibetan Subject Matter Freehand Brushwork Figure Painting

Based on the Tibetan Chinese figure painting as the main line, the text retrospects the early Tibetan art development, research the evolution of concept and technique of expression of the Tibetan Chinese figure painting since the establishment of People’s Republic of China, and combines every period representative painters and works to analyze, especially, Tibetan subject of Chinese figure painting creation uniting the instant painter and the outstanding works to analyze and discuss from artworks, operating the layout, national color, modeling language. During the thesis writing, writer collects the relevant literatures and image data, and does a lot of practice and creation of Tibetan theme of figure painting.This paper is mainly divided into four chapters, and the first chapter uses the rise of western fine arts subjects as links. It reviews the development of the Tibetan theme of Chinese painting, showing in chronological order, and let the development creation of Chinese the Tibetan theme figure painting to be divided into fifty to seventy and after the eighty two parts, in the ways of illustrating and analyzing to conclude and summary the two parts development of Tibetan traditional Chinese painting creation; The second chapter analyzes the key of the Tibetan subject figure painting creation, mostly to extrude the spirit of nationality, national emotions, folk-custom, religion, national dress and so on. The chapter three through the research of the diversity of forms, modeling of writing, the study of business layout, summarize the problems, and think the contemporaneity and the Tibetan subject matter freehand brushwork figure painting creation. The chapter four is written primarily the creation experience during my undergraduate degree, incorporating my own creative practice, and to discuss how to develop the Tibetan subject matter freehand brushwork figure painting better.