Chinese Oil Painting In The Context Of Contemprary Aesthetic Culture

The painting have been introduced to China from Western for about a century, in this century, Firstly, Chinese artists accept it, learn it,and then they put western art and chinese national cultural toghter, and explore the development of nationalization of oil painting. Chinese oil painting artists have been unremitting work hard and innovate, they explore the development direction of Chinese oil painting in the collision and blending of the Chinese and western culture, and oil painting localization and internationalization of the contradictions. In the1990s, Chinese oil painting began to develop to multi-directions, because of the rapid development of economy and technology in the21st century, we are entering the information age of globalization, Chinese painting is also gain great space for development. But Chinese oil painting also raise some new questions in the process of innovation and development. Such as art-generalization, and art works devaluation,So finding out the real reasons of these questions and studying how to make healthy and rapid development of Chinese painting are urgent problems that need to think about. Not only to the development of oil painting as a form of artistic expression based on the contemporary process of social development, but also rooted in the social reality of the soil; not only have to understand the development of Chinese contemporary oil painting hidden behind cultural identity and aesthetic characteristics, but also completely comprehend the aesthetic values and ideas of Chinese painting showing this characterization."United States" is the first meaning of the pursuit of artistic creation, an aesthetic point of view to study the phenomenon of Chinese painting is yet biased. In recent years, contemporary aesthetic culture has become a hot issue, the performance of its main features:enjoy the thrill of consumerism into the cultural core; the visual factors gradually become the core elements of contemporary culture; scientific and technological means to become contemporary cultural forces that support. So the aesthetic cultural change, the study of Chinese painting must be a new attitude to deal with. At the same time, the Chinese oil painting gain broader research platform and rich theoretical basis.In Chinese contemporary oil painting as the research subject, with the contemporary aesthetic culture as the background, focuses on the research of Chinese contemporary oil painting in the contemporary aesthetic culture to the new situation and new content generation. At the same time, the negative influence to the orientation of contemporary aesthetic culture research, to analyze the essence of the. The body of this article is divided into four parts. The first part focuses on the academic origin of contemporary aesthetic culture, based on reference to scholars’ views, generalize the concept of contemporary aesthetic culture. Analysis on the characteristics of contemporary aesthetic culture has the influence factors of contemporary aesthetic culture. The second part mainly discusses the influence of contemporary aesthetic culture on contemporary art as a whole. The third part is the focus of this thesis, with the new characterization of contemporary aesthetic perspective of contemporary oil painting’s development direction and the. The fo’urth part write contemporary oil painting in the contemporary aesthetic culture in the context of the problem and to rethink its, propose solutions to the problem. Finally, the conclusion summarizes the whole thesis, summed up his views on the basis of the above analysis...