Feel The Balance Force And Forms Of Landscape Oil Painting

Feeling and expression of artistic creation by the acquisition to thefeedback process.Everyone has the ability to feel, from nature, fromlife. Because of the feeling ability, to let us have a knowledgeof world colorful. Artists in the world, is to amplify the ability of this feeling,onlya desire, on writing at this time, there is a performance artist express feelsomething by works, let the works presented in front of the audience, emittinga strong appeal.Especially in the process of the creation of landscape painting, the painterthrough the sketch practice, into the natural world, obtain the truefeelings, from the nature of truth,Discard the dross and select theessential.extract the essence of the art of the need, to serve as thepicture, to provide a strong backing for the expressive, achievefinally completed a valuable works of art.Sensibility and form is fundamentally inseparable. We see eachbig exhibition, whethermodern or ancient times, whether it is China orforeign, those good works contagious, can not be denied in the process ofcreating the painter needs to have ability to feel powerful and richforms as support. So, there is a significant issue, that is how to graspthe good force andmanifestation of the balance problem in the process of oilpainting creation, make the finalpresentation in front of the public works havea maximum value of art. This is also in need of contemporary landscape oilpaintings of development, from objective to subjective, from experienceto performance, continuously improve the relationship between them, andfind the balance point, which is the only way to examine to enrichthemselves, art creation and development innovation.This article from four parts to elaborate the relationship between feelingsof balance force andthe manifestation of the landscape painting creationprocess.The first chapter explains the characteristics of perception and differentexpression,In sence origin and the main affecting factors of the systemexpounded the sensibility andform. The second chapter fromthe find to explore two aspects that the feelings and the performance is fromsubjective to objective, from universality toparticularity of interworking relationship. And a large number of cited works and creativeprocess of ancient and modern art masters to illustrate this problem. In Thethird,it is chapter the key part and this paper, mainly expresses inthe landscape painting creation in the process ofperception and manifestationof the balance relationship. Feelings start discovering,performance start withfeelings, here mainly lies in a "degree" of the word, how to graspthis,balance of this two respects and find the art creation process.The last part of this thesis is the summary part, combined with their ownconditions start to talk about how to grasp the perception and formsof landscape painting in the creation process of balance at. A word issaid "the decision horizon heart border". How much heart appearsinfectivity inthe works of a number of strong. What we can do is to constantly improvethemselves, to open up more space for the innovation and development of arton the road.