In Guilin's Lovely Forms And Manifestations Of The Relationship Between The Chinese Landscape Painting

Guilin as fresh and beautiful landscape typical of god, the draft, beautiful natural scenery for the creation of the landscape offers of matter. Huang binhong,Gao Jianfu, Huang Dufeng, Guan Shanyue,Li keran, Zong Qixiang,Kong Zhongqi, baixueshi wait, nor have from guilin and create large is a geographical features, to guilin theme and style of art unique to chinese landscape painting. Artists to fight a modern, chinese landscape painting will be prolonged is rooted in china's artistic spirit of simple nature, the painting is show about modern value, also preserve traditional culture of the root of the uniqueness, contained in the painting and folk art promote the spirit and the people's breath. in the chinese landscape painting artistic spirit of daring and review the chinese landscape painting was born with the spirit of the born.The first chapter of the main article to guilin natural forms and cultural connotations for the introduction. guilin view, its environment, and, crayfish water of the mountains rise everywhere, clear water fish craft, bamboo rafts and gulls flying heron and pavilions of flats, a myriad of view, the continuity of natural landscape painting. arrival time is the soul, he began to feed you, purify the soul. Natural scenery attracts many indulge in guilin between the old masters in ink, this essay, a statue, the power of guilin. guilin full of natural beauty contrasts finely with human resources. From the political, cultural and geographical features of both have their unique academic significance and spiritual values and chinese landscapes sight of a miracle.Article the second chapter, mainly through the beautiful landscape in guilin many represent the landscape of china, chinese landscape painting style of representation of a variety of causes. we in the face of works of art is also in the face of the author's ideas, culture, is the author's character and personality of the demonstration. the artist's era, personal experience, our character with the spirit of learning is of course, the art of landscapes with the understanding and to the language of the proposals which produce. Art language, and performance style and their means of a painter and the difference and variety. but in the traditional chinese culture of their own culture. this is the modern chinese landscape painting and richness to the proposals of the foundation.Articles in chapter Three, guilin of a form in chinese landscape painting in the spirit of artistic expression, and the painting is the problem. try to explore the origin of chinese landscape painting, extend the spirit of landscape and seek a society. the aesthetic values. Landscape painting artistic conception and quality of dependent on the long-term art practice and accumulation and artists of the aesthetic appreciation of, individual tutelage and promoted to be able to achieve. in the diversity and to form of art, chinese landscape painting sets the values in the arts, traditional and modern between harmony with the modern chinese landscape painting be worth thinking of creation.The creation of the chinese landscape painting is a natural landscape of the practical forms based on subjective spirit of the world to create, natural and humanism the organic combination and for life forms and load of meaning. landscape painting is more than learning from the proposals of a program, wasn't the west form or realistic the surface, but rather from an objective to the subjective of the process, a culture of accumulation. In showing their inner is that it will have power to attract people's feelings, to the forces dependent on us from the traditional chinese culture and habits of the soil in the nature and refine the mind, a correct value concepts, ideas, through images to convey a sense of cultural spirit.