Documentary And Concept Of Dual Evolution Study On The Spectacle Photography

This article is to put in the field of contemporary photography in China in recent years ofspectacle photography, into the history of photography in the world coordinate system to conduct acomprehensive historical study, But also an essential element of surrounding spectacle photographyin theory combing and summary.Firstly, starting from the historical evolution of landscape photography, Summarize thedifferent historical periods, carried by the landscape image in s ocial and cultural connotation，andreveals the essence of contemporary society "landscape". Secondly analyzes landscape photographyfrom the record to the concept of aesthetic development, at the same time both in contemporaryphotography show the trend of integration and the emergence of a new aesthetic turning. After is thekey part of this paper, on Visual rhetoric system analysis of spectacle photography, And put forwardthe mutual involvement of documentary and concept, mutual mix of politics and aesthetics is animportant context of landscape photography system. Finally investigates aboriginality of spectaclephotography, analysis focused on spectacle photography in the whole concept photography anddocumentary photography, and spectacle Photography presents the concept of external and internalspiritual meaning.This paper argues that spectacle photography inherited the idea of post-modern art criticism,Changed the traditional landscape intention toward social landscape, At the same time under thecold Deadpan contain the author the awakening of subject consciousness, Also raised the useimages against reality, And play an important role in the contemporary art..