The Society Of The Spectacle—Artistic Thinking Behind Andy Warhol's "Diamond Shoes"

Andy warhol as the famous "pop" the godfather, early compared with some classical artists, he can be said to be accompanied by a "speech" and the "text", who is famous in many art history screening for outstanding artist only after riding crane has accumulated a lot of comment on research, Andy warhol living in an age of media explosion, itself and the social from all walks of life have produced abundant literary theory. Together the whole study of the art world, can be classified Jane, they tend to roughly three directions. The first is that, with the attitude of sociology of art creation and life it closely linked, the final resting on the commodity economy's influence on art creation. In the other direction, it is relatively simple and semiotics and hermeneutics, or tied hermeneutics. This kind of basic on the conclusion tends to rise to "moral" and "humanistic care" artistic creation such as the original proposition, and more article emphatically discussed the Andy's "Marilyn Monroe" series and "MAO" class. The third direction, is a kind of theory of nowadays sensitive- the use of "landscape", study both from the "shoes" and its tiny, ordinary things are put on the canvas, frame started to discuss. This may regard as a kind of "commodity society", namely under the condition of the materialistic are fully met, all the "rare" and "precious" retreat to the basic daily, and aesthetic exhaustion people, can only be daily amplification, expansion to the "landscape". To sum up, in other words, research on Andy warhol is deeply branded "commercial" on. There is no denying the fact that under the background of the "mass production" artist with the DNA of the clear price. But in many neo-realistic study, the author still hopes to have other possible.