Study On The Aesthetic Theory Of Redemption Of Oscar Wilde

Aesthetic redeem of modern aesthetics have become a hot topic. But in itself it is very ambiguous and complex. After the decline of the religious and aesthetic substitute for religion, and to pay the redemption feature about life and the real world, but as Liuxiaofeng said that "whatever the aesthetic is still an idea of the ideological construction, namely operating perceptual ontology and the concept on the one side, and his attack on the standpoint was different."that is, aesthetic redemption is still religion save the simulation mode, there is no escape "dual shadow landscape" on a "to be God" way. Aesthetic advocated by feelings, will, love and desire, is another dimension of metaphysics. Religion, philosophy stated that the world will ultimately provide an absolute philosophy, spiritual development, and aesthetic thought, the world was supposed to be artistic, romantic, the world will eventually be purely emotional romantic poets, poetic realization. But this is only one level of aesthetic redemption, or the aesthetic redeem of classicism, romanticism. It still crave an absolute, timeless dimension and caring. The aesthetic redeem of modern sense, aesthetic referred to as aesthetic modernity and aesthetic modernity of most important characteristics is the art of self-discipline, rules in the form of art on its own,"art for art’s sake". But starting from the aesthetic poetic there was another body, that earthly life of salvation, that is, life is like art,"at ease". Name another characteristic of aesthetic modernity is sensual, aesthetic jiatong Baum’s classic, the father of judge,"aesthetics of perception itself is the purpose of perfection" Kant’s beauty is subjective purpose of the pure form of the object, so aesthetics is also known as "perception". But it is not a secular society to the pursuit of sensual and intoxicating, regardless of how many rich aim is emotional and spiritual improvement is from perceptual to the spirit, rather than the spirit of indulged in sentimental.So sensual orgy of Aesthete and the aesthetic ideal that they insist is biased. Modern scholars and most concern is through Kant, Schiller, Schelling, Schlegel to Schopenhauer’s and Nietzsche’s thus far Germany romantic aesthetics and30Adorno, Herbert Marcuse, represented at the Frankfurt School’s aesthetic thought of salvation. it can be said that respectively represent two aspects of aesthetic redemption, one classical, romantic, one of modernism. Oscar Wilde era of late-19th century-the transitional period is in the classical modern, so his understanding of beauty and life, it has a strong classical modernism of the breath and the rebel.Different from academic philosophers, he was to put to practice, although there was no Germany philosopher so much speculative, and most of his criticism was gossip, reviews, talks not systems, digs his aesthetic theory is necessary. Oscar Wilde’s aesthetic theory of redemption is extreme, and has a profound contradiction, but it also has its own characteristics, is essentially a poet of deep self-help. In defiance of rational despotism name for emotional connection, easy to perceptual bias. In terms of art and religion, is the religion of art and aesthetics into the leading in the early or implicit aesthetic attitude to religion; in prison, is the aesthetic of religion, but it’s all about "looking for a way of self-realization". Lives sway in an aesthetic approach to life and everyday life between lives.But whether elite aesthetic redemption in him, the poet’s life and art, is an art of earthly life, are longing for a new vision of life and the emergence of free agents. Thesis is divided into three parts, the first part is the salvation of Wilde’s aesthetic theory generated background for a full range of investigation of, and build on an analysis of the causes and solutions. Second part on its aesthetic redemption theory construction in the major areas, including religion, aesthetic comfort, in the form of life and art, the art of living, based on the life and art of achieving the Utopia of the spirit. Third part is mainly to tension and impact of Wilde’s aesthetic of redemption, that is two levels, namely the art form that is relative to the religious form of relative to absolute form, playing a salvation that only has "form" poet of self-realization in redemptive art form. Forms can also refer to the sensibility of art forms on the other hand, is pure, or secular, desires, either through a purely aesthetic, spiritual Ascension, spirit may also be lost and numbness in the sensuous forms. Influence of Wilde’s aesthetic theory of salvation, in fact most are not because of his theory, but because of personal charisma, his life has been a legendary work of art, is typical of the art of living. Some modern or postmodern scholars, studying the relationship of art and life, and life will go back to him. In the words of the main paradox-theoretically, is believed to have said in advance of Nietzsche. Roland Barthes said.