Analyses Of The Aesthetic Situation Of Chinese National Vocal Music From2001to2013

China is a vast territory, large population, has a multi-ethnic country with five thousand years civilization history. China’s national vocality art for children of all nationalities create and spiritual and cultural products and popular wisdom, it has experienced from ancient to modern national vocal music art development course of vocal music art. With the coming of the new century, the change of social structure, the rising of the science and technology and economic strength, and humanistic environment greatly improved living standards, the frequent international exchanges to promote multicultural collide with each other, leading China’s national vocal music to explore more scientific, advanced universality, roads and international art, thus enriching the aesthetic of Chinese national vocal music performance.This article will along the historical trace of the development of Chinese national vocal music around the new era in the21st century as the background, in the process of literary theory in this paper, the eyes to main upon singing in a bellwether of CCTV QingGeSai produced in the process of Chinese folk games presents the phenomena, analysis and inquiry into the21st century since the national vocal music aesthetic expression changes of related reasons; Combined with the typical significance of national vocal music singing and writing as an example, elaborates on time changing the aesthetic status quo of Chinese national vocal music; And then at the beginning of the21st century aesthetic features of Chinese national vocal music art show put forward some thinking and expressing a little feeling.