Theory Of Tang Yin Buddha In Painting

"Potery expression ambitions, singing praise words." Back in "Book Shundian "and then made to explain the function of poetry, and Nanqixiehe that " figure paintedby Mo unknown counsel, with the " paintings goods recorded " heave, goldensolitude, draped figure lesson " painting effect, visible poetry painting did not dareambition, Kam World.Yin Ming Dynasty poetry painting is the best show of its efficacy, Tang Yin wasclever, young and famous but tragic turn in a series of encounters, family death, fameis doomed, and the world is contemptible to Yin, Yin miserable old age, the situationis bleak, to seek relief in Buddhism. Along with its ups and downs experienced by hispoetry and calligraphy and painting, which have been a confidant of Tang Yin is alsotrue communicator of Art History. At different stages of work and reflects the changesin the thoughts and feelings of the different cultural connotations sentiment, from the"accession" to the "birth" of the transformation process. Yin on poetry, painting fromthe subject matter, meaning changes in all aspects of what he was "accession" and "born" at different stages of thinking embodied, and the immediate perception ofseclusion thought.During the gathering a large number of articles written in different periods ofTang Yin poetry, calligraphy and paintings, as the artist works directly support thespiritual journey. Based on the works of art of Tang Yin’s research, based on their lifeexperience, the ups and downs of life and life experiences are discussed changes in theworks of its elements Buddha. And discusses the Buddhist culture and Seclusionspecific ideological background under the Ming Dynasty formed, and its impact on theprevailing culture of literati and the whole generated. From Tang Yin depth study ofpoetry and articles, calligraphy and painting in three areas, according to six years fromthe Ming Chenghua (1470) Yin birth to Jiajing (1523) died in the time of its passagefinishing works. Yin and joined the works of different periods, combined with itsworks more intuitive analysis. And through the painting with the same period of theEuropean Renaissance comparing the times of Tang Yin paintings explain their impact and value for future generations. In "Dream of Red Mansions " in Goddess stone Jiyu:"no material to go fill the heavens, into the Red vain if this promise was thepredecessor of the Department of the funeral itself, which is credited to be the oddpass?" to elaborate for the article.