Mi Fu "Atr Book" Freehand Style Form And Influence

The rise of Chinese literati painting reflects the depth and the height ofphilosophy, Chinese painting landscape is one of the main Chinese literati paintingexpression vector. Period represented by MiFu establish some literati painting valueprinciple, a style for literati interest standard. MiFu with his profound Chinesecalligraphy skills, peculiar personality character and unique appreciation interest asthe backing, adapt and formed a corresponding to the principle of SuShi "easy" literatipaintings painting form-with calligraphy show style. The literati painting styleembodied in landscape creation thought, since ChengJin tang literati thought, the qi,the dynasties of song, yuan, Ming and qing influenced later generations of pen and ink.And become the value tendency of literati paintings. This article will mainly by"history book","painting" clues to study MiFu on theory and practice of literatipaintings reflect the influence of the calligraphic style of calligraphy to xieyi paintinglandscapes, MiFu for one of the meaning of the painting is to the discovery of dongyuan and respected, and dong carried to the "high" guru status, lead to tendency ofliterati in The yuan dynasty landscape painting, Make late Ming Dong Qichang, ChenJiru put forward the "theory of the civil cases, which affect the landscape paintingaesthetic choices: heavy" south "painting and light" north school ";"Literati painting"and "painters". Previous studies mainly lies in MiFu calligraphy achievement,appreciating the tomato point view, mie yunshan, as well as the aesthetic thought inthe aspect of literati paintings influence on later generations, and so on, is not it,explore MiFu participation as a calligrapher and literati painting creation the uniquepoints of his calligraphy into painting in pioneering practice in calligraphy pen showfor our research. MiFu since ChengJin tang’s calligraphy has an irreplaceable positionin the literati painting, this unique calligraphy practice experience of implementinghighly associated with painting ink, performs the function of no one can and, aboutMiFu calligraphic style with calligraphy show research including by, the calligraphy,the respect such as handwriting and MiFu painting pen, mainly manifested in thecalligraphy of the study of effect of exert a subtle influence on painting. Further discussion of literati paintings MiFu inner influence lies in its calligraphic style ofcalligraphy and literati paintings aesthetic temperament and interest in landscapepainting, make on the style features of more form has the taste of literati landscapepainting schema language, evaluation criteria of later generations of literati paintingshave far-reaching impact. This paper argues that MiFu before after tang yuan is themost outstanding calligrapher, literati painters and critics, enormous contribution tothe spread of literati artistic value. Affect the meta after digital literati painters,especially represented by Gao Kegong The yuan dynasty literati painters inheritedview of literati paintings. And the The yuan dynasty is a period of literati paintingsdaxing, this article attempts to MiFu calligraphy and painting comments as a startingpoint, studies how to apply calligraphy of freehand style in traditional Chinesepainting style to landscape paintings, and even his son friend ren pioneered the mieyunshan, the literati paintings free style show at the beginning of the song and yuanlandscape development means of the coordinates of a relatively clear. Will free styleof calligraphy show associated with MiFu ideas of literati paintings, MiFu calligraphyappreciation has been known to many art history study. MiFu not only good paintingand calligraphy, and appreciation, is China’s traditional culture. The purpose of thispaper is to MiFu point of calligraphy and painting language research and variousphenomena, analysis of the theoretical value of literati paintings, with the vision toresearch and development of thinking MiFu its contribution for the literati paintings.In order to be re-verified MiFu role in this process. Song dynasty painting materialpreserved rarely, but there is a lot of calligraphy and text books, therefore, can help usdialysis MiFu state of artistic creation, to explore the formation and influence ofliterati paintings "disconnection of writing. MiFu free style, subject to the subtleinfluence of calligraphy practice, the key lies in the spread of the literary thoughts.Due to many works before the northern song dynasty literati painting style that isassociated with calligraphic style of calligraphy research is relatively small, mostlytoo broad, content is not enough in-depth the actual place.The research methods of this article is MiFu calligraphy works and theoryanalysis, painting and calligraphy works and theory of interpretation, the combination of text books and the calligraphy and painting schema analysis unifies, summed upthe MiFu calligraphy and theory for the internal relations between painting languageform, focus on the influence of ShuFaGuan, appreciation view of painting, provideenlightenment for modern calligraphy and painting creation. Research demonstratedinvolved when images can make the discussion more in-depth and derivation of theconclusion more convincing.The conclusion of this paper is intended to study MiFu calligraphic style ofcalligraphy, tasting, landscape pattern, etc., the formation process of the landscapepattern combined with MiFu appreciation standards and literati temperament.Disconnection of writing calligraphy show is one of the most the performance of themain carrier of Chinese literati painting. Since the research methods of jin tangthrough MiFu painter-calligrapher comments on the research of the literati paintingshow ideas embodied in his practice of calligraphy and painting, including the mainpart of the research on using calligraphic style of calligraphy in the landscape paintingcreation, This article is divided into four chapters altogether, in the first chapter in thelife and personality characteristics of MiFu made a general description, the secondchapter analyzes the achievements, his calligraphy for calligraphic style withcalligraphy show making the necessary preparations, the third chapter further analysisfrom different angles the calligraphic style of calligraphy show the specific form, thefourth chapter of his inheritance and influence are summarized.