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Chinese Ink Figuration Disconnection

Posted on:2012-10-09Degree:MasterType:Thesis
Country:ChinaCandidate:M LuFull Text:PDF
GTID:2215330338966227Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese ink paintings by pen and ink on rice paper is presented to express the effect of Chinese traditional freehand brushwork spirit of an art, it receives is imagery modelling law. Image modelling law are a cross between a figurative and the abstract, between modelling law it in Chinese native culture accumulation of slowly formed. Modern JiangZhaoHe honesty in ink painting on the basis of image modelling western science ZaoXingGuan to transform Chinese ink paintings, this still has sexual disconnection.In traditional Chinese painting, figure painting ink pen occupying the main position. Chinese paintings and calligraphy ink structure are closely linked. The abstractness of the RuHua books as the rigorous modelling produced realism, how to make contradictory conflict in ink figure painting both better integration, and become modern contemporary ink figure painter the main problems which should be solved. To solve this problem, we must first fully understand Chinese ink disconnection figuration.This article from the Angle of technique and composition to the analysis of the Chinese ink paintings, mainly from "disconnection of the structure of ink disconnection" and "space YiXiangXing", "color" disconnection "these three aspects to analyze and understand the Chinese ink disconnection figuration.I understand the freehand brushwork in traditional Chinese painting, the first in materials is to pay attention to. Through the epitome of society, painted and through these miniature to convey deep meaning, to further the essence of freehand brushwork. Judging from space, Chinese paintings using scatterplot perspective method, exquisite global, pay attention to plan when black white. Pictures of the space is not to set aside more "nothing", but a deep sense of "have", leaving the audience infinite daydream space. Judging from the colour of colour emphasize, Chinese painting, the painter inherent color and intentional feeling to colorific take leading position. Color used not to judge whether science, can express the author is the emotion and colour lasting appeal for the purpose.Throughout China's contemporary ink figure, although there is no complete turning, but the development of freehand brushwork spirit but chain throughout. This paper attempts to Chinese ink paintings of understanding and analyzing the disconnection, go to a better understanding of Chinese model art spirit of freehand brushwork, more in-depth understanding of Chinese ink painting freehand brushwork of concept.
Keywords/Search Tags:paintings, disconnection, Song typeface, ink, Chinese paintings
PDF Full Text Request
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