Research Of Qing Dynasty Palace Drama Female Character

The TV series with the theme of the history of the Qing dynasty has drawn the attention ofthe historian, sociologists and social public since its emergence.It sets off a heat wave in themovie and television culture tide.In recent years,the audience attention and propagation effects ofThe Qing dynasty palace theme TV series can not be underestimated. Character building is oneof the important factors in the success of Qing dynasty palace theme TV series.Also it producedan immedsiate reaction in the public view. In recent years, the criticism of Qing dynasty palacedrama female character has occurred a large part of Qing drama critics,which attracted attentionfrom the people of this field.As the mature and popular nature, Qing dynasty and the femalecharacter which it creates has triggered an upsurge ratings,however,there exists some problemsneed us to envisage and solve.In the face of the public,we need a relatively clear evaluationstandard for art.Criticism should not only make sure of its value,but also criticize for its shortageand put forward the useful solution strategy.Therefore there are some theoretical significance andpractical significance in the in-depth study of Qing dynasty palace drama female character.This paper expands the research with Qing dynasty palace drama female character.Theauthor will have a careful observation to the Qing dynasty palace theme TV series which havebeen produced and aired since the1990s based on communication, aesthetics, sociology,psychology audience,women studies.Of course,The author will have an in-depth analysis andinterpretation to the major female character.In the same time, The author will explore the currentsituation and critique to Qing dynasty palace drama female character,and put forward somestrategies which have certain reference value for the questions.The full text is divided into six parts, mainly including the following aspects of content.Fristly, the author will make inquiries about the Qing dynasty palace theme TV series,andgive an analysis to ‘Qing dynasty palace theme TV series’ and ‘female character’.In the sametime, the author will comb the history of Qing dynasty palace theme TV series.All of these canlay a solid foundation for the next further research.Secondly,based on detailed analyses and searches for a large number of representative Qingdynasty palace theme TV series, The author summed up four typical types of Qing dynastypalace drama female character.They are the masters of playing politics who are on behalf of thepatriarchal will,and the Male victims of fighting for favour,and th palace "new women",and the reaction products of political marriage.In the same time, The author indicates that the Qingdynasty palace drama female character’s featue is ‘stereotype’.Thirdly,this paper carries on the detailed analysis to the contextual factors of femaleconsciousness that affecting the qing dynasty palace drama from the perspective of the historyand reality.Cultural context, The author starts with the culture of history and the contemporarysocial culture. Political marriage and talent culture, female culture writed by Confucian areincluded in the culture of history. Postmodern cultural ideological trend,"three talks" culturalstructure, social psychology are included in the contemporary social culture. In addition, Marketeconomy context is also a point that cannot be ignored in many factors.Fourth, the author summarizes and interprets the current situation and critique to Qingdynasty palace drama female from Communication studies, sociology, aesthetics, and manyother dimensions and points out the three focus on the present situation of criticism.They arevalues,"workplace narrative","theory of history“.And the author discusses the standard andscale of criticism. The author thinks we should stick to the standard of combination of aestheticpoint of view and view of history.In the end, the author will indicate that there are three effectsfor the spread of Qing dynasty palace drama female character on the sociological aspect.They areone step away of virtual things and distorted things,and the transmission of hybrid values,and theresults of Behavior of demonstration.In the end,from the perspective of reality, there are a series of problems involved in thecreation and communication of Qing dynasty palace drama female character. The author putsforward some feasible suggestions,such as the innovation of tragedy thinking,and miningpositive energy from the multifarious court culture,and sticking to the most basic value of ‘true’.